Kotaro Isaka’s thriller Bullet Train moves as fast as the train—the Shinkansen—it takes place on and is named after. Already destined to be a movie starring the not-very-Japanese Brad Pitt and Sandra Bullock (one imagines some changes en route), Bullet Train, a guilty pleasure if there ever were one, is something of a cross between Murder on the Orient Express and Train to Busan.
Polly Barton is a Japanese-English translator with an extraordinary output, including three novel-length projects published in English translation in the last eighteen months. Fifty Sounds is her memoir, chronicling her year teaching English on Japan’s remote Sado Island and the way it changed the trajectory of her life.
Opium’s role in the history of East Asia has been well-documented, most notably perhaps in Julia Lovell’s definitive 2011 book The Opium War. This, and others like it, deal with the issue mostly from the perspective of the consuming countries, in particular China; Thomas Manuel’s Opium Inc. is noteworthy in focusing just as much on the producer: India.
Resource extraction has been integral to the economy of Myanmar’s borderlands for decades. One of the most valuable of these is jade, mined in northern Kachin state and then smuggled over the border into China. In Until the world shatters: truth lies and the looting of Myanmar, Daniel Combs depicts this extraction, the cost it imposes on civilians and the myriad of uneasy business relationships between parties nominally at war with each other.
We think we know the history of China’s opening to the outside world. Maoist China was closed off, until Deng Xiaoping decided to reform the economy and open up to international trade, leading to the economic powerhouse we see today.
Anthony Barbieri-Low starts his book comparing ancient Egypt and early China by saying it was a somewhat off-the-wall thing to do.
In her debut novel The Illuminated, Anindita Ghose weaves together stories of personal grief and struggle with larger socio-political afflictions. The personal stories of the women in the book are timeless and universal; these are stories of self-effacement and self-discovery that feminist writing deals with anyway. But Ghose refreshingly sets the stories in contemporary India and connects them with the impact that the rise of fundamentalism is likely to have on women. Apart from this well-balanced personal-political equation, Ghose offers a hopeful vision that, fortunately, all is not bleak: the women in the novel strive to find a political space that protects their personal space.
If you are in Tokyo and you’re riding on the Yamanote Line, you are likely heading to one of the major shopping destinations on that line, such as Shibuya, Shinagawa, or Tokyo Station. If you are going to Tokyo Station, you will pass through Komagome, once a place in the country where people had villas with gardens. It was where the noblewoman Ogimachi Machiko (ca 1679-1724), second concubine to Lord Yanagisawa Yoshiyasu (1658-1714) composed her classic memoir, In the Shelter of the Pine, covering the years from 1690 to about 1710.
It’s a familiar nighttime ritual: the sun has set, the kids are in pajamas, the toys are still. It’s time to say goodnight. And while many are used to the rhythmic lines of “goodnight room, goodnight moon”, in Goodnight Ganesha, Nadia Salomon takes young readers through a different “goodnight game”.
A compilation of reviews and other coverage in the past twelve months for Women in Translation month (August 2021): by author, translator and language, including non-fiction and poetry and well as novels and short stories.
You must be logged in to post a comment.