Well before ping-pong diplomacy in the early 1970s, there was acrobat diplomacy. As a result, many people around the world became familiar with Chinese acrobats, performers that did more than just walk a trapeze or juggle on stilts. Chinese acrobats brought circus performing to a new level, for instance by balancing multiple stacks of cups and saucers on the top of long sticks—often from two hands and a foot. In Jingjing Xue’s memoir, Shanghai Acrobat, the author not only tells of training with the Shanghai acrobats from a young age, but also shows how these troupes became the face of China, starting in developing countries and eventually reaching the west.
The papers are currently full of articles and commentary on the ever-closer relationship between China and Russia, of their compatible economies, state visits, joint projects, shared geopolitical interests and camaraderie between their leaders.
Myanmar—shrouded in mystery, misunderstood and isolated for half a century. After a whirlwind romance in Bangladesh, Australian journalist Jessica Mudditt and her Bangladeshi husband Sherpa arrive in Yangon in 2012—just as the military junta is beginning to relax its ironclad grip on power.
Few nations can boast eras of peace and prosperity as long as the Tokugawa period in Japan, which lasted almost 300 years from the 17th through 19th centuries. Pax Tokugawana: The Cultural Flowering of Japan, 1603-1853 by renowned Japanese studies professor Toru Haga offers a detailed and nuanced portrayal of life under the strict rule of the Tokugawa Shogunate, and how the peace established by the stringent policies of the ruling warrior class defined the zeitgeist of the era.
The year is 1985. Durga is visiting her grandmother Mary in rural Malaysia. It’s not a particularly happy occasion: Mary is tough and sharp-tongued, and “home” sparks bad memories for Durga.
South Korea’s Jeju Island has in recent years become almost as popular a backdrop for novels as tourism photos. This is in part due to its evocative female divers and the role the islands played during Japanese occupation, WW2 and the aftermath, in particular the girls who were abducted and sent far away to become so-called “comfort girls” for Japanese soldiers. June Hur’s new young adult novel, The Forest of Stolen Girls, is also set on Jeju and involves abducted girls, except the story takes place some five hundred years earlier in 1426.
Hong Kong soprano Louise Kwong sang selections from Puccini, Cilèa and Verdi in a special concert in a special “Concerto Italiano”, presented by the Italian Consulate-General in Hong Kong at the City Hall and streamed online on the occasion of the Italian National Day.
The cover of Central Asia: A New History from the Imperial Conquests to the Present, with its photo of the massive walls of the Ark Fortress in Bukhara, is something of a bait and switch. The book flies through that period implied by picture: the “imperial conquests” of the subtitle are not those of Genghis Khan or Timur, but rather the later ones by China and Russia: conquests of Central Asia, not by.
One image that, rightly or wrongly, can come to mind when discussing North Korea is Kim Jong Un clapping and laughing at a nuclear missile test while his people suffer. The young dictator cuts and eccentric figure: an obese thirty-something with a zero fade haircut in a baggy Zhongshan suit. His friendship with NBA star Dennis Rodman and handshake with Donald Trump have sealed his cult figure status among Western audiences. But Benjamin R Young’s Guns, Guerillas and the Great Leader reminds us of a time when North Korea involved itself more constructively on the world stage promoting its anti-imperialist ideology in the Third World.
Ideas about how to study and understand cultural history—particularly literature—are rapidly changing as new digital archives and tools for searching them become available. This is not the first information age, however, to challenge ideas about how and why we value literature and the role numbers might play in this process. The Values in Numbers tells the longer history of this evolving global conversation from the perspective of Japan and maps its potential futures for the study of Japanese literature and world literature more broadly.
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