While technically a “fair”—that is, the items are for sale—China in Print is held at the Hong Kong Maritime Museum and does double duty as a free-to-the-public exhibition.
Madama Butterfly, like Giacomo Puccini’s previous blockbuster Tosca, was born out of a visit to the theatre. In 1900, the composer was in London for six weeks to oversee the opening of Tosca at Covent Garden on 12 July, when he was persuaded to go to the Duke of York’s Theatre for a double-bill of one act plays, including one called “Madam Butterfly”.
Predicting the global future is never easy. Even the most knowledgeable and fair-minded observers of geopolitics frequently miss the mark. After the First World War, the German historian Oswald Spengler predicted the decline of the West. In 1964, the American political philosopher James Burnham opined that the West was committing suicide. In 1987, just a few years before the collapse of the Soviet Union, Yale’s Paul Kennedy warned that the US would likely suffer from imperial overstretch in its struggle with Soviet-led communism.
China or India? India or China? Maybe Chindia? Anyone who has ever spent much time thinking about the future of the Asia or any particular country or company’s relationship to it, has probably asked this question, and more than once. Several terms, such as “Asia- Pacific” or the newly-launched “Indo-Pacific”, carry this question within it.
The history of Singapore before the foundation of the modern version of the city by Sir Stamford Raffles in 1819 has been largely ignored. This volume of eighteen articles (with a wide range of original publication dates) looks to rectify this and show that Singapore, because of its strategic location in the shipping route between East and West, was heavily involved in pre-British waves of global trade and colonization.

The history of Pahlavi Iran has traditionally been written as prologue to the 1979 Iranian Revolution and firmly located within a national historical context. However, the reign of the last Shah of Iran, Mohammad Reza Pahlavi (1941-1979), in fact marked the high-point of Iran’s global interconnectedness. Never before had Iranians felt the impact of global political, social, economic, and cultural forces so intimately in their national and daily lives, nor had Iranian actors played such an important global role, on battlefields, barricades, and in board rooms far beyond Iran’s borders.
To imagine the Shanghai of the 1930s is to frame art-deco frontages on chiaroscuro streets, behind which noirish figures from a polyglot demi-monde sip whiskies and soda. The city in this era has an imaginative power in the Western mind beyond that of any other place in China, fuelled by an intoxicating cocktail of equal measures myth and reality. Paul French, a long-time resident of the city, now returned to London, offers two complimentary portraits of the place and those westerners pulled inexorably toward it in his new books, City of Devils and Destination Shanghai.

Decentralization is among the most important political economic developments in Indonesia over the last thirty years. This book evaluates three cases (in the provinces of East Kalimantan, West Sumatra, and Riau) of deep-seated political conflict and intrigue implicating central government, local governments and multinational companies.
In his new book, The Origins of Dislike, Amit Chaudhuri unwraps several aspects of reading, writing, publishing, criticism, and thinking in general, mostly to dismantle the perceived virtuosity of these phenomena.

Drawing on interviews, archival records, and government and military reports, Vanessa Hearman traces the lives of a number of individuals, following their efforts to build a base for resistance in the South Blitar area of East Java, and their subsequent journeys into prisons and detention centres, or into hiding and a shadowy underground existence. She also provides a new understanding of relations between the army and its civilian supporters, many of whom belonged to Indonesia’s largest Islamic organisation, Nahdlatul Ulama.

You must be logged in to post a comment.