Hong Kong can be a curious place. Ghost Love is a new Putonghua-language chamber opera, conceived and written locally, receiving what is—insofar as I can tell—its world premier this weekend, and yet, despite a number of attractive posters placed around town, there is hardly any mention of this in the press or online.
Although China’s centuries-long demand for silver was one of the catalysts for the birth of globalization, silver products were also an important Chinese export. So-called “Chinese export silver” is the subject of a current exhibition at the Hong Kong Maritime Museum.
Tammy Ho Lai-Ming and Jason Eng Hun Lee spoke with Jennifer Wong, poet and author of Goldfish.
If George Psalmanazar sounds like a made-up name, that’s because it was. Psalmanazar, whose real name seems lost to history, was a turn of 18th-century Frenchman who claimed, with no small success, to be first native of “Formosa” (ahem) to visit Europe.
The Asia Global Institute at the University of Hong Kong has launched AsiaGlobal Online, a new journal focusing on “policy-relevant insights on global issues and from Asian perspectives.”
There are various translations of the Life of Milarepa available, but since Garma C Chang issued his translation of the Hundred Thousand Songs in 1962, there has been a gap of more than fifty years, and Tibetan Buddhist scholarship has made a great deal of progress over that time, which makes 2017 an ideal year for a new translation of this work.
Arguably the most successful Western opera singer to come out of China, soprano He Hui is known for her roles in Madama Butterfly, Tosca and Aida.
Yasutaka Tsutsui, born in 1934, is less well-known outside of Japan than other contemporary Japanese writers.
Jude Woodward’s thesis in her latest book is quite simple: Washington is engaged in an orchestrated plot to contain the rise of China economically, militarily and ideologically.
This special exhibition at the Hong Kong Museum of History makes considerable use of audiovisuals, especially video, which have the dual advantage of not requiring insurance and holding the interest better than, say, incomplete pots which, however interesting, can also be somewhat dry.
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