Musica Viva’s current production of Giacomo Puccini’s La Bohème is a vivid justification for Hong Kong’s support of two opera companies. Different strategies yield different outcomes, to the great advantage of Hong Kong’s cultural scene. Musica Viva’s use of, in general, younger singers (“young” in opera being a relative term) and Director-General Kingman Lo’s focus on ensemble singing, lead to performances that are accessible and immediate.

They say that armchair generals discuss tactics but real generals discuss logistics. So here’s something different. Dawn of Victory is an account of World War I focused entirely on logistics. Jim Maultsaid enlisted at the outbreak of the war in 1914 and was immediately sent to the front where he was badly wounded on the first day of the Somme offensive. He survived, but was permanently disabled. Rather than being demobilized, he was packed off to officer candidate school and then sent back to France as a Lieutenant in charge of one platoon of the 96,000 Chinese labourers recruited to help with the war effort. His were from Shandong. Dawn of Victory is the story of the platoon’s day-to-day struggle to keep the frontline troops supplied with food, ammunition and fuel.

The rise and fall of Brazil, Russia, India, and China, the so-called BRIC nations, is the great geo-economic story of the twenty-first century. In the early 2000s, these countries were tipped to redraw the economic map of the world. With a combined population of nearly 3 billion, they constituted roughly 40 percent of the world’s people. Throughout the first decade of the new millennium, they were among the fastest-growing countries in the world, sailing through the 2008-2009 global financial crisis in a way that made them the envy of the world. When the long-standing G-7 group of developed countries proved unable to meet the challenges posed by the crisis, the wider G-20—including all four BRICs economies—rose to the occasion. At a time when developed countries were talking austerity, the BRICs countries opened the taps on government spending. The crisis did not turn into the second Great Depression (though it looked as though it might in early 2009). For this, surely some of the credit goes to the swift action taken by the BRICs to stimulate domestic demand.

The subtitle of Kerry Brown’s new book, China’s World: What Does China Want?, is a question that is on the minds of the world’s statesmen, policymakers, international relations scholars, global investment advisors, international business leaders and geopolitical thinkers. Given China’s growing global diplomatic, economic, and military footprint, the answer to that question will shape the geopolitics of the rest of the 21st century.

For a number of logistic, commercial and territorial reasons, books rarely circulate much outside the market they were published in. Asian-published books can as a result often, regardless of merit, end up largely unknown outside a relatively small domestic market, something that goes in spades when the book was originally published in a language other than English.

Yeng Pway Ngon’s Unrest has a long journey. Originally published in Chinese, Unrest won the 2004 Singapore Literature Prize. It took the better part of a decade for the English translation to become available in an edition from Math Paper Press in 2012. This (according to a note on the legal page, evidently somewhat revised) edition is from Balestier Press and is, for the first time, generally available internationally.