Saleem Haddad was born in Kuwait in 1983, of an Iraqi-German mother and a Palestinian-Lebanese father, whose own mother, a Christian, was displaced to Beirut at the formation of Israel. He was raised between various countries, including Jordan, Canada, and the United Kingdom. Before he published his first novel he worked as an aid worker with Doctors Without Borders in conflict zones from Yemen to Syria and Iraq. He is also queer. Various biographical strands thus combine to make him more qualified than most to explore the maxim: the personal is political.

Political Thought and Japan’s New Left Movements: Transformations in Radical Theory, Christopher Perkins, Ferran De Vargas (eds) (Bloomsbury, January 2026)

Arguing for the importance of taking Japanese political thought seriously, this book is the first to bring together authoritative essays by world experts on the thinkers who shaped Japan’s New Left movement. In doing so, it demonstrates the distinctiveness and significance of Japanese left-wing thought, providing an invaluable resource for students of 20th-century radical politics.

A book that attempts to tell the story of one of the world’s largest and most complex islands across vast spans of time—from deep geological history to the urgent pressures of the present—Olivier Hein’s Borneo: The History of an Enigma announces its ambition from the first pages. Such scale is risky: many books with grand reach end up flattened by their own seriousness. Hein avoids that fate. What emerges instead is a work of remarkable clarity and narrative energy, one that wears its scholarship lightly and reads with the confidence of a storyteller who knows exactly where he is taking you.

Artificial Intelligence in Our Language Learning Classrooms, Louise Ohashi, Mary Hillis, Robert Dykes (eds) (Candlin & Mynard, November 2025)

Artificial Intelligence in Our Language Learning Classrooms brings together leading researchers and practitioners exploring the pedagogical, ethical, and emotional dimensions of generative AI (GenAI) in second language (L2) education. Across two major sections (L2 skill development and broader educational perspectives), contributors offer theory-informed and practice-oriented insights into how GenAI can transform language teaching and learning. Topics include conversational AI and chatbots, writing development, extensive reading, pragmatics instruction, ethics, emotions, and teacher-led inquiry. Through a balance of optimism and critical reflection, this volume situates AI integration within established educational frameworks, supporting teachers as they navigate the rapidly evolving technological landscape.

The name Jodhpur itself conjures for many the full colour of the Raj at its height: polo grounds and palaces, and impeccably-tailored riding trousers—jodhpurs—a word exported into the English language. In Peter Vacher’s richly-illustrated and deeply-researched book, that familiar imagery is joined by something less-widely appreciated but no less consequential: aviation. The result is a book that reveals how a princely desert state became one of the most important air hubs in Asia between the World Wars, and later a critical node in the Allied war effort in South-East Asia.

A child was abandoned on the train tracks of Cheongnyangni Station, Seoul. Nothing was known of her before that moment—no certificates, no paperwork. She would grow up to be called Munju by her foster father, then Esther by the nuns at the orphanages, and finally given the name Nana by her French adoptive parents. Those same train tracks are Nana’s first childhood memory, a memory that forms how she views her birth mother, her foster father, and her own sense of self. Now an award-winning playwright in Paris, Nana receives an invitation to Seoul from an amateur filmmaker, who proposes a documentary on her adoption, a film that will revisit the fragmented scenes of her past.

Painters, Ports, and Profits: Artists and the East India Company, 1750-1850 is the accompanying volume to an eponymous exhibition at the Yale Center for British Art which places painters, local and foreign, working in India and China in the context of the commercial and colonial operations of the East India Company.