A collage of epigraphs make up the first few pages of The Elsewhereans. Each subsequent chapter is heralded by a series of locations, dates, photographs, and quotes—some perhaps falsified. Jeet Thayil’s newest work is exactly what its subtitle—“A Documentary Novel”—claims: a partially-fictional documentation of Thayil’s family history, recorded scrapbook-style in bits and pieces. Dedicated to his late mother, who passed away earlier this year, The Elsewhereans reads as an attempt to capture forever the spirits and lives of his family in a single fluid location, to bind them in the pages of a novel’s created home.

Aatish Taseer, with roots in England, India, Pakistan, and the USA, appears to be a member of the globalized elite, able to call multiple nations his own. For Taseer, however, there is only one country he calls home. A self-described “Indian writer”, Taseer, for much of his adult life, has distanced himself from his absentee, Pakistani politician father. Still, despite Taseer’s best efforts, his father’s nationality has come back to haunt him.

Set in West Bengal, Aurko Maitra’s debut novella The Spider grapples with the human predisposition to violence, to unmediated crimes of rape and murder. Maitra has spent part of his career as a journalist in this state of east India known for endless political violence, which, like clockwork, occurs as local elections approach and politicians with deep pockets hire gangs of mercenaries to instigate riots and raid opposing Party strongholds. He has interviewed both victims and perpetrators in the area, and from these interviews, The Spider was born.