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  • The cover of "The Shadeless Border"

    “The Shadeless Border” by Jiyar Jahan Fard

    The Yarsanis are a unique ethno-religious group centered in Kermanshah, in Iranian Kurdistan. With estimated adherents surpassing one million, this little-known syncretic religion dates from the 14th century and has elements reminiscent of Zoroanstrianism and other non-Islamic traditions, and is central to The Shadeless Border, Iranian Kurdish writer and folklorist Jiyar Jahan Fard’s first novel…
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  • The cover of "Abandoning a Cat" by Murakami

    “Abandoning a Cat” by Haruki Murakami

    Parents are few and far between in Haruki Murakami novels. The Japanese author’s protagonists are adrift, often removed from their…
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  • The cover of EL Shen's "Foreigners"

    “Foreigners” by EL Shen

    When Dawn Chin is assigned a high school history project to interview a family member, she picks her paternal grandmother…
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  • The cover of "The Big Book of Kashmiri Literature"

    “The Big Book of Kashmiri Literature”

    In 1958, a Kashmiri poet who earned his living cutting timber sat down in front of a radio microphone and…
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  • The cover of Sutra Americana by Monona Wali

    “Sutra Americana” by Monona Wali

    It’s not hard to picture the leap Monona Wali made from filmmaker to writer after reading her latest novel, Sutra…
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  • The cover of "The Courtesan, Her Lover and I" by Tarana Husain Khan

    “The Courtesan, Her Lover, and I” by Tarana Husain Khan

    In modern day Rampur, aspiring writer Rukmini finds herself fascinated by the life of Munni Bai Hijab: the real-life 19th-century courtesan and poet whose voice and achievements were eclipsed by her love affair with and role as muse to the great Urdu poet Dagh Delvi. As Rukmini begins researching and transcribing Hijab’s untold story, she…
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Latest in Non-Fiction

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  • The cover of "Oil Wars" by Guy Laron

    “Oil Wars” by Guy Laron

    The “wars” in the title of Guy Laron’s new history of the past century and a half are as much metaphorical as literal; few readers will need much convincing of his thesis that “energy is one of the core instruments of geopolitics.” There is much to be said for Laron’s adopted lens. Oil provides a…
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  • “The Japanese Woodblock Prints Companion” by Andreas Marks

    “Under the Wave Off Kanagawa”, popularly known as “The Great Wave”, is without a doubt the most celebrated Japanese woodblock…
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  • The cover of "Reassembling Knowledge" by Thomas Benfey

    “Reassembling Knowledge” by Thomas Benfey

    Iranian tradition held that the first, ancient dynasty of kings had mastered all the useful sciences, from astronomy to medicine,…
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  • The cover of "Tree" by Aya Koda

    “Tree” by Aya Kōda

    Until she was forty-three years old, Aya Kōda (1904-1990) was known primarily for being the daughter of the novelist Rohan…
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  • “Who Owns the Past?” by Shaan Kashyap

    History, or least the writing of it, does not remain confined to academia or historians; it can increasingly become a…
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  • “Hong Kong Art Deco Architecture: Unveiling the Hidden Heritage”

    In Moliere’s play Le Bourgeois Gentilhomme, the wannabe aesthete Monsieur Jourdain learns with delight that “for more than forty years I have been speaking prose without knowing it!” A similar sentiment arises when reading Prudence Leung Kwok Lau and Vanessa Winghei Yeung’s Hong Kong Art Deco Architecture: it seems that—except for the very few Hong…
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