Released in late 2024, 100 years after the most infamous mountaineering event in history, Other Everests: one mountain, many worlds is not a retelling of the Mallory expedition, but rather an attempt to widen the framing of Everest beyond western mountaineering exploits. Everest has often been seen through the eyes of western explorers and been limited to tales of heroic exploration. This book is a direct attempt to change that and bring “together new perspectives on the historical and cultural significance in the modern world.”
Several women walk children down a flagstone path to a hot spring in the cozy opening scene of Hiromi Kawakami’s Under the Eye of the Big Bird. The children play while the women enjoy the warm water. The narrator has been married for five years to a factory worker. He works while she takes care of the children.
After student protests toppled Bangladesh prime minister Sheikh Hasina last year, New Delhi and Dhaka have been at odds. Indian politicians complain about Hindus being mistreated in the Muslim-majority country; Bangladesh’s interim government fears that Hasina may launch a bid to return to power from India.
Beijing Bound captures a pivotal moment in China’s recent history through the lens of Glen Loveland, a young American who arrived in Beijing in 2007 with little more than ambition and a tourist visa. Once a congressional press secretary, Loveland chronicles his remarkable transformation from a bewildered expatriate to becoming the first foreign HR professional at China’s state broadcaster. His journey offers rare, firsthand insights into a China that was briefly—and tantalizingly—open to the world.
Chie Ikeya’s InterAsian intimacies across race, religion and colonialism focuses on inter-Asian marriage in colonial Burma. Ikeya argues that over time these marriages became “the subject of political agitation, legislative activism and collective violence”.
China has been one of the leading sources of overseas visitors to the Maldives in recent years. Bin Yang, a professor of history at City University of Hong Kong, makes the argument in Discovered but Forgotten that this is to some extent a rerun of the situation in the 14th and 15th centuries when the Maldives were firmly on Chinese maps of places to visit.
A picture, they say, is worth a thousand words. Gonçalo Lobo Pinheiro’s photographs of Macau are certainly worth that and more. This latest collection consists of 100 photos taken during the last five years, a period which included Covid-19. The photojournalist, who been resident in Macau for well over a decade manages both to capture something of the inexpressible essence of the city, as well to provide visuals that will intrigue and engage anyone interested in either cities and the people that live in them. The “poética” of the title is apt.
Most people “collect” stuff, but Paul Bromberg is a “collector”, the difference being that he proceeds with intent and purpose, focusing on a relatively narrow group of objects.
Can we write women’s authorial roles into the history of industrial cinema in South Asia? How can we understand women’s creative authority and access to the film business infrastructure in this postcolonial region? Esha Niyogi De draws on rare archival and oral sources to explore these questions from a uniquely comparative perspective, delving into examples of women holding influential positions as stars, directors, and producers across the film industries in India, Pakistan, and Bangladesh.
Yñiga, the main character of Glenn Diaz’s novel of the same name, returns to her unnamed fishing town after her urban neighborhood burns down in a fire—what many suspect is retaliation for the capture of a wanted army general near her house. What follows is a story about activist politics, state retaliation and returning home.
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