Jiban Narah’s The Yellow Metaphor is an unassuming collection of poetry, written from 1990 to 2023, that draws from the Mising and Assamese traditions of north-east India. Occasionally embedded in the English translation are the original Mising words, a translator’s decision to retain the otherworldliness of the poems. Assamese geography, fauna, and history feature prominently…
Written 40-50 years ago during the South Korean dictatorship from the 1970s-80s, now newly-translated into English and framed by reflective essays, Kim Hyesoon’s poetry collection The Hell of That Star is a violent and grotesque testament to a censored time. Having worked as an editor during the regime, Kim is familiar with the censorship apparatus…
Indian English poet Arundhati Subramaniam’s latest poetry collection The Gallery of Upside Down Women brings together pieces about women from Indian myth and scripture across regions and languages, women in general, and glimpses into ordinary lives rendered fresh and extraordinary through evocative expression. Subramaniam is among the best known Indian English poets and for her…
That translator Dong Li calls Chinese poet Ye Hui “metaphysical” in his introduction to The Ruins—a characterisation repeated in the book’s marketing material—might seem challenging, but in the fact the poems, while not exactly straightforward or immediately obvious, are—for most part—eminently accessible and interesting.
If one ever forgets what poetry is for, this newly-released collection is a reminder of its ability to renew, sooth and provoke. Mirror is a translation of a lengthy posthumous selection of Chinese poet Zhang Zao’s lifelong opus.
Mani Rao, who counts acclaimed translations of Kalidasa and Bhagavad Gita from Sanskrit among her accomplishments, has long been a quiet force in South Asian poetry circles. Her latest extensive collection of original poems, So That You Know, is a work of poise and clarity of thought. The poems engage with diverse themes and resist…
Prose poetry can be hard to get a handle on. It is literally oxymoronic, like “documentary fiction”; such terms are perhaps a recognition that most categories are really endpoints on a spectrum. As one now does in these situations, one asks AI, which unhelpfully replied: “Prose poetry is a hybrid literary form that adopts the…
Mandy Moe Pwint Tu describes herself as “a pile of ginkgo leaves in a trench coat from Yangon, Myanmar”; it perhaps comes as no surprise that she is a poet. She is also one now firmly ensconced in American poetry circles and with an MFA under her belt. Fablemaker is her first full-length collection and…
Of all the horrors of this benighted century, the genocide of the Yazidis at the hands of ISIS a decade ago stands out for its extreme brutality and inhumanity. At the time, few people outside the region were aware of the group’s existence; as non-Muslims (Yazidism has pre-Zoroastrian roots), Yazidis were specifically targeted. The world…
A collection of 49 poems of varying forms, from scattered verses to prose poetry, Primordial is more than the sum of its parts. Mai Der Vang, equipped with the eloquence and talent for crafting vivid imagery that had made her previous collection a finalist for the Pulitzer Prize, brings together the overlaying experiences of the…
Renowned poet and Hebrew translator of Greek drama, Aharon Shabtai, now 85, has a new collection, Requiem and Other Poems, translated by Peter Cole, that spans the early years of Israel to the days just after 7 October 2023. The book, although concise at just 87 pages, provides a vivid and comprehensive look at a…
Li Qingzhao (1084-1151 CE) is considered the greatest woman poet in Chinese history but, as translator Wendy Chen writes in her introduction, Li “remains relatively unknown in the West.” Chen, who first heard Li’s poetry as a child, is determined to help change this. The Magpie at Night is Chen’s translation of the Song-dynasty writer…
Who is Shuzo Takiguchi? Neglected and out of print for decades in Japan, ignored by the anglophone world, awareness of his contributions to 20th century Japanese writing and fine arts is long overdue. Profoundly influenced by French surrealism, Takiguchi’s heady mix of mythological rumination and avant-garde modernist poetry has finally been made available to an…
As an award-winning novelist, Jeet Thayil may need little introduction, but given that I’ll Have It Here is his first collection in a decade and a half, some readers may need some reminding that he is also an accomplished poet.
After viewing American painter Agnes Martin’s “Untitled IX, 1982”, a work of irregular, horizontal pencil lines that are nuanced and experimental, with a subtle hue of pink underneath, poet Victoria Chang was moved to contemplate the struggle to embrace or appreciate her racial identity: “To be an Asian woman is to be seen as night……