“Pink Auteur, Red Outlaw: Adachi Masao and Japan’s Cinema of Revolution” by William Andrews
There is an irresistible temptation to read filmmaker Adachi Masao’s life as if it were itself a movie. A Japanese New Wave filmmaker disappears into Lebanon, becomes associated with the Japanese Red Army, spends decades in exile, is imprisoned, and eventually returns home as one of the most controversial figures in postwar Japanese culture. It…














