In the transition from spring to summer, tensions at Towa Textile are heating up. Factory workers—demanding higher wages, severance pay and other benefits—prepare for a prolonged struggle against management. With the senior executive director abroad at a textile convention and union leaders at a meeting, company director Gosuke Nishinohata is found dead by the train tracks near Kuki Station.
Category Archive: Reviews
An Iranian grandee once asked this reviewer if he had enjoyed a dish of braised sheep brains. I replied, quoting Sa’di, “a lenifying lie is better than an irksome truth.” Face saved on all sides. This incident illustrates an important aspect of Iranian and Persianate culture: the use of poetic language to shape and elevate reality. This use of poetry has existed in all cultures, from Shakespeare’s sonnets to Pushkin’s compositions for ladies’ album books. Oscar Aguirre-Mandujano argues, in Occasions for Poetry, that this art form is the most important cultural element by which the Ottomans expressed themselves, more important than architecture, or history writing. Mustering an immense corpus of poetry from the turn of the 16th century, Aguirre-Mandujano successfully makes his case, though sometimes with the mass of citations he loses the forest from the trees.
The 20 years or so after World War Two were a time of rapid development in the publishing industry. For instance, the paperback revolution made books more affordable. Book clubs kept up the momentum of reading, discussions, and curation going to sustain, or even expand reading cultures. The easy availability of books by the roadside, for example, turned borrowers of books into buyers.
Japan is a favourite destination for tourists the world over, but one reason it appeals to Hong Kong tourists (for whom it is a particular favourite) is that Kanji allows them to more or less work things out despite not knowing Japanese at all. Zev Handel’s new book Chinese Characters Across Asia tells the story of how the Chinese writing system was adopted—and adapted—in Japan as well as Korea and Vietnam.
From the look of the cover design and the description, readers may think that Mizuki Tsujimura’s novel Lost Souls Meet Under a Full Moon is yet another example of Japanese healing (or comfort) fiction. Most Japanese healing novels are slim with an inviting cover in soft pastels. The stories center around lost individuals who hope to find happiness in their unfulfilling lives. And they often make use of magical realism. Tsujimura is one of Japan’s most highly-regarded mystery and fantasy writers and her best-known novel in English is the young adult fantasy Lonely Castle in the Mirror. Her entry into healing fiction makes sense, yet the beloved and award winning author’s book is different and more layered than stereotypical healing novels, as well as physically more substantial at almost 300 pages in Yuki Tejima’s English-language translation.
In Saou Ichikawa’s debut story Hunchback, a pendulum swings between desire and survival, told through the voice of a disabled woman in a group home. Translated from Japanese by Polly Barton, the novella has been long-listed for the International Booker Prize, and in Japan, it won the prestigious Akutagawa Prize upon release. Hilarious and provocative, Hunchback flashes between scenes from the group home and her scandalous tweets, between university assignments and swinger club erotica.
Radha Vatsal specializes in mysteries set in World War I-era New York City. Her latest, No 10 Doyers Street, is set a decade before that in 1907 New York City when mayor George B McClellan had grand plans to build new parks and bring safe drinking water to residents of the city. One of these plans included bulldozing Chinatown so it could be turned into one of these planned parks. The star of her book is an Indian female newspaper reporter named Archana Morley who finds herself covering more than one story in Chinatown. The result is a descriptive, engaging thriller set in the dark alleys of New York’s Chinatown more than a hundred years ago.
Akha Ghanr is, for Akha communities, a “highly pragmatic system of customary law encompassing an entire way of life”, or it could be better described as “Ancestral ways”, acknowledging the role and leadership of their ancestors, something that is central to Akha identity and culture. How it has changed over time is the subject of Micah F Morton’s new book, Enchanted Modernities which explores the evolving role of Akha Ghanr within Akha societies across China, Laos, Myanmar, Thailand, and Vietnam. Akha Ghanr isn’t a religion in itself but rather an intricate set of ancestral cultural practices that shape Akha society. How Akha Ghanr has adapted to modernity and high rates of Christian conversion is a crucial part of this book, as is the role of neo-traditionalists seeking to both preserve Akha Ghanr and adapt it to the realities of modern life.
Li Qingzhao (1084-1151 CE) is considered the greatest woman poet in Chinese history but, as translator Wendy Chen writes in her introduction, Li “remains relatively unknown in the West.” Chen, who first heard Li’s poetry as a child, is determined to help change this. The Magpie at Night is Chen’s translation of the Song-dynasty writer in a collection of poetry that feels both of its era but also carries a timeliness that renders Li’s poetry as accessible as it is moving.
“I feel like there must be some way”, ends the title of one story in Tomoka Shibasaki’s A Hundred Years and a Day, “of visiting the places that exist only in people’s memories.” Each of the 34 fictional vignettes in this collection is a standalone slice-of-life that features a character, now advanced into middle-age, recollecting a formative experience of their youth. Through these recollections, Shibasaki creates a humanistic chronicle that touches on the tragic beauty of mortality.
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