Initially evoking the sterile chill of a dystopian sci-fi tale, with horse-riding jockey robots and humans replaced by automation, Cheon Seonran’s A Thousand Blues quickly reveals itself as something far richer: a thoughtful exploration of humanity’s uneasy coexistence with technology, as well as the contradictions of a society that both creates and undermines its own systems of care.
In Sanjena Sathian’s new novel, Goddess Complex, women’s bodies are reduced to the idea of their divine if not interchangeable—wombs. The protagonist, Sanjana Satyananda (the stark similarity in names between the author and her character is no coincidence) is a thirty-something burnt-out academic who feels intense alienation toward motherhood. She spends the course of the novel hopping from America to India, trying to stabilise her increasingly volatile sense of self in a world that prizes her fertility and criticises her choices.
Set in West Bengal, Aurko Maitra’s debut novella The Spider grapples with the human predisposition to violence, to unmediated crimes of rape and murder. Maitra has spent part of his career as a journalist in this state of east India known for endless political violence, which, like clockwork, occurs as local elections approach and politicians with deep pockets hire gangs of mercenaries to instigate riots and raid opposing Party strongholds. He has interviewed both victims and perpetrators in the area, and from these interviews, The Spider was born.
An illuminating portrait of how Shanghai’s Catholic community surged back to life after the Cultural Revolution—and of a Church divided between allegiance to the Vatican and loyalty to the Communist party-state.
It’s a brave step to have a coward as your protagonist but acclaimed author Vivek Shanbhag’s unlikeable creation proves to be a memorable device for exploring power, patriarchy and politics in contemporary India.
The Kims, of North Korea, are perhaps the 21st century’s most successful family dictatorship—if only due to sheer longevity, having run North Korea for the almost eight decades since the country’s post-war founding. Kim Il-sung led North Korea for over half that time, from its founding in 1948 to Kim’s death in 1994.
By the time Emperor Shōmu’s daughter came to the throne in 749 CE the country’s economy was in ruins, bankrupted by Shōmu’s temple-building projects. Famines and epidemics put an unbearable burden on the peasants. Meanwhile the Buddhist establishment grew stronger and stronger.
Fifteen years have passed between the publication of Hon Lai Chu’s 《缝身》 (“Seam”) and Mending Bodies, its English translation by Jacqueline Leung. Readers who feel those years mark a drift toward dystopia may detect the eerie touch of prophecy in Hon’s writing. Yet she also digs into human problems with neither expiration date nor borders.
It’s not every day one comes across a new novel about Jesus as a social activist, least of all one in translation from Malayalam. So Ministhy S’s recent translation of renowned Indian writer Benyamin’s 2007 novel, The Second Book of Prophets, is unexpected, to say the least. One need not know much about biblical stories or be religious—of any faith or none at all—to understand this story, although readers with some knowledge of the New Testament will be familiar with the characters and the plot. Yet as a novel, it’s engaging and even thrilling.
Best known in Singapore as the writer and performer of the smash-hit comedy album “Why U So like dat?’, Siva Choy was a multi-talented musician, journalist, stand-up comedian, movie actor and teacher. An intimate and revealing new book paints an affectionate portrait of a life filled with pioneering artistic endeavour.
You must be logged in to post a comment.