My Home is Dissent is a luminous poetry collection by Pooja Ugrani that constructs verse as one might build a home—brick by tender brick, with the mortar of memory, desire, and defiance. This collection moves fluidly between the everyday and the elemental, where the domestic becomes a site of quiet resistance and reimagining.
The poet in Brown God’s Child makes no bones about laying bare the cultural rooting of her identity in the very first poem of the volume. Be it through “burnt caramel”, the colour of her God’s skin or the sounds of her language—half Sanskrit and half Dravidian—poet Smitha Sehgal makes her entry as a formidable…
A visual enactment of attempts at articulating, Eke is the at-tempt-ation towards meaning. What does the feeling of holding your words and thoughts back—stuck and struck in a state of percolation, a plasma state of signification—feel like? What does it look like for ambivalence and divergence to converge during the moment of articulation, when all…
Dreamy and playful, Gabrielle Tse’s debut pamphlet Rustlings speaks to memory and domesticity, maintaining a balletic lightness above fractures in language and heritage. With all its subtle sounds and textures, Rustlings is a sensuous exploration of the absences and complications of daily life.
Who are the Bene Israel Jews of India? Where did they come from? How did they survive in India? Sweet Malida is a moving, multi-layered, richly sensory and informative collection of poems and short prose inspired by this ancient community to which the poet herself belongs.
Mountain Songs embodies the intersecting narratives of migration and how it shapes one’s identity.
This new collection of poetry celebrates the music in the seemingly mundane. Imbued with a deeply philosophical consciousness, and the questioning spirit of the ancients, it engages in the pleasures of technology, while ever cognizant of its drawbacks in its assault on the personal. As always, with this poet, there is an Upanishadic, yogic, and…
Indebted to the docupoetics tradition, Raena Shirali’s summonings investigates the ongoing practice of witch (“daayan”) hunting in India.
Shawn Hoo’s debut poetry chapbook, Of the Florids, begins with an inability to speak of the natural world in the urban fortress of Singapore; a tropical island’s fading romanticism for a city boy.
In Muscle Memory, Washington-based poet Jenny Liou grapples with violence and identity, beginning with the chain-link enclosure of the prizefighter’s cage and radiating outward into the diasporic sweep of Chinese American history.
Shang Qin (1930–2010) is widely considered one of the most influential and original modern Chinese poets. His critical acclaim was earned not only as a modern master of the prose poem but also as one of Taiwan’s leading surrealist poets. This book is the largest selection of his poetry available in English.
Devendra Bisaria’s first publication contains poems written over a period of almost thirty years—from his teens, when he started writing, to twenty years ago. The poems in this collection bear witness to Devendra’s own internal evolution as a person as well as his keen observation of the external environment and circumstances that fueled, and frequently…
Born in 1976 in Hengdian village, Hubei Province, Yu Xiuhua is a poet from an impoverished rural background who was born with cerebral palsy. She began writing poetry in 1998. Her poetry collection Moonlight Rests on My Left Palm sold over 300,000 copies in China. Yu received the Peasant Literature Award in 2016 and the Hubei Literary Prize in…
Proof of Stake is a multivalent meditation on loss, grief, and social constructs. Grounded in the death of the poet’s daughter, Vivian, this long elegy ruminates on a wide range of subjects, from the effects and winding paths of disruptive technologies, such as paper and cryptocurrency, to critiques and observations of art movements, diasporas, social…
“Approaching 30 and disillusioned with life in an old mining town near Glasgow, I sold everything I had and left for a new life in a remote fishing village in Japan. I knew nothing of the language or the new land that I would call home for the next 7 years.”