Nod Ghosh begins her new novella, The Two-Tailed Snake, with some wise words from the perspective of a snake.
Author: Susan Blumberg-Kason
A piano competition in a seaside town near Tokyo brings together pianists from around the world. Among the competitors are a former prodigy who left the competition circuit seven years earlier after her mother died, a third-generation Japanese-Peruvian, and a teenaged child of a beekeeper. Riku Onda’s Honeybees and Distant Thunder, the basis of a Japanese film a few years ago and newly translated by Philip Gabriel, begins when three of the judges first hear the beekeeper’s son audition in Paris and continues through to the end of the competition in Japan.
Yunte Huang writes in his new book of a meeting between Anna May Wong and Sir Robert Ho Tung in Hong Kong. What started with a gathering at Ho Tung’s estate on the Peak quickly turned into a miniature biography of Ho Tung himself, the son of a Dutch Jewish father and Chinese mother. In this account, Huang writes of Ho Tung’s half-brother, a man with twelve wives and more than thirty children. One of these children was a woman named Grace Ho. This account appears to be a little slice of Hong Kong history, fascinating and not atypical of the mixing of families in the earlier years of the British colony. But then Huang writes that Grace Ho was the mother of Bruce Lee, an actor who, like Ho Tung’s guest, Anna May Wong, was slighted by Hollywood.
At the end of Yiyun Li’s newest book, Wednesday’s Child, she explains that she wrote the stories in this collection—most of which originally appeared in The New Yorker—over the last fourteen years. It was also during this time that she lost her father, teenage son, mentor, and close friend. “They live among these pages now,” she explains.
In the opening story of Saras Manickam’s collection, My Mother Pattu, a sixteen year-old Tamil girl named Meena is sent from her home in Penang, Malaysia to live with an aunt and uncle in Mambang, an inland town halfway to Kuala Lumpur. Her crime: writing and receiving letters from a boy at school. This story, “Number One, Mambang Lane”, sets the tone for the collection with colorful Malaysian settings and characters that exemplify Malaysia’s diverse cultures, racial issues and all.
In 1903, Eric Blair was born in a bungalow in Motihari, India to a British father who worked in the colonial opium office in town and to a French-British mother. Years later Eric Blair would be known around the world as George Orwell. It’s his Indian roots, his birthplace in Motihari, that inspires Abdullah Khan’s second novel, A Man From Motihari, which is both a fun and creative look at literary India and a pensive examination of contemporary race relations and nationalism.
In the story that provides the title of Nishanth Injam’s debut collection, The Best Possible Experience, a go-getter tour guide creates a new identity for himself and his son to seek opportunities that would otherwise be impossible for low-caste Dalits. Although Mr Lourenco the tour guide has a positive outlook, sometimes his plans don’t turn out as wished. This conflict between hope and reality is prevalent through all of Injam’s stories in the collection.
It’s 1992 and Seoul’s tallest skyscraper has suddenly collapsed, killing thousands and bringing to light just as many questions as to why it happened and who was responsible. This is the backdrop of Hannah Michell’s latest novel, Excavations, an ambitious thriller that is just as engrossing for the whodunnit as is it for the historical milieu. Besides the physical excavation of the building ruins, the main characters also find themselves digging for the truth behind family secrets.
In an early story in Shubha Sunder’s debut collection, Boomtown Girl, the narrator states that her parents felt her younger brother “was old enough to deserve some independence”, yet the teenage brother finds trouble and lands in jail. This theme of independence forms the backbone of the nine stories in her book that mainly take place in 1990s Bangalore. Sunder is a captivating storyteller and with each story she shows that independence sometimes comes with a price.
Howard Goldblatt, known for his translations of such notable writers as Mo Yan and Su Tong, has a new translation of Chen Yixin’s novel Yuwa, which traces a year in the life of a young boy in a Gansu Province village much like that from Chen’s own upbringing. Chen’s prose is full of color and with Goldblatt’s translation the story comes across as a heartfelt tale of a young boy who survives treacherous conditions typical of the cold and dusty northwest.
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