While Taiwan continues to be in the news due to its geopolitical ambiguities, a lesser-known aspect of its short recorded history is the establishment of a Dutch colony in its southern part in the 17th century. A Tale of Three Tribes in Dutch Formosa describes this Dutch settlement and its interactions with local indigenous people and its heroic but futile resistance against invading Chinese loyalist warlord Koxinga.

There is no obvious throughline that runs through this new collection of Osamu Dazai stories; only a series of Dostoevskian protagonists—young men who smoke too many cigarettes, cower in social situations, and who are consumed by deep insecurity. Written in the second half of the 1930s, Retrograde has been arranged and translated by Leo Elizabeth Takada, who has previously subtitled the Oscar-winning Japanese film Perfect Days for English audiences.

Harini Nagendra brings the vibrancy of 1920s India to life in the “Bangalore Detectives Club” series, tightly-plotted mysteries interweaving themes of colonialism, women’s empowerment and the environment. In the latest, Into the Leopard’s Den, her fearless sleuth Kaveri Murthy—now pregnant with her first child—travels to the verdant forests and sprawling coffee plantations of Coorg to investigate a murder.

This new collection with an unbeatably eye-catching title opens with the eponymous novella.  “Courtesans Don’t Read Newspapers” takes more than a few (albeit short) chapters to get to the heart of the story: the red-light district in Kashi (also referred to as Varanasi or Banaras in the novella) is slated to be shut down to make way for new construction. This wasn’t the first time the city had tried to drive out women and girls.

At a demolition site in modern-day Osaka, workers unearth an old air raid shelter, sealed for decades. Inside, Murder on the Orient Express by Agatha Christie, The Hollow Man by John Dickson Carr, The Tragedy of the Funatomi by Yu Aoi, and other classic mystery novels are wrapped in a faded cloth, embroidered with “House of Omari” and the merchant’s long-forgotten temari-ball logo. Once the glamorous face of the cosmetics industry, the Omari family saw their fortunes decline with the onset of the second world war—and then the murders begin.

The opening panels of the manga Miss Ruki show the title character working from home processing medical insurance claims. In a voice so dry it verges on sardonic, an unseen narrator explains that Miss Ruki finishes projects weeks earlier than her boss thinks she does, so she spends most of her time reading books from the library—books like Saeke Tsuboi’s anti-war classic Twenty-Four Eyes or Ira Levin’s classic American horror novel Rosemary’s Baby.