The marketing blurb for Amitav Acharya’s most recent book From Southeast Asia to Indo-Pacific begins, rather portentiously, “Southeast Asia was created by geopolitics, and it might die with it.” The book itself, thank goodness, is a considerably more measured (and clearly-written) overview of how Southeast Asia and ASEAN came to be more or less synonymous and how the region, as a region, might fare in the newly-turbulent world of the second quarter of the 21st century.
Category Archive: Non-Fiction
Ali Banisadr: The Alchemist is a new publication and exhibition organised by the Katonah Museum of Art and the first major museum survey of Iranian-born artist Ali Banisadr. Covering twenty years of the artist’s practice, the exhibition and catalogue offer a fresh perspective on the artist’s career across the mediums of painting, drawing and printmaking.
The IT sector seems to be concerned with the flow of information across nations. However, it can also be about the flow of emotions. Labour around technology is not only about programming; it can also be about emotional exhaustion. In The Future of Futurity: Affective Capitalism and Potentiality in a Global City, anthropologists Poornima Mankekar and Akhil Gupta document the workings of call centres by looking at how the BPO “agents” (workers or operators are called agents) navigate the demands of their job: doing “night work”, learning and unlearning accents, and racist abuse from the customers.
The noun “Partition” (with a capital “P”) has, in South Asia and perhaps globally, come to mean the 1947 split of India and Pakistan, a climactic event that still roils, if not poison, domestic and international politics.
Aatish Taseer, with roots in England, India, Pakistan, and the USA, appears to be a member of the globalized elite, able to call multiple nations his own. For Taseer, however, there is only one country he calls home. A self-described “Indian writer”, Taseer, for much of his adult life, has distanced himself from his absentee, Pakistani politician father. Still, despite Taseer’s best efforts, his father’s nationality has come back to haunt him.
For many middle and high school students across the United States, the book Farewell to Manzanar has been their introduction to one of the darkest times in American history. Jean Wakatsuki Houston’s memoir tells of her childhood years in what was called the Manzanar War Relocation Center but in reality was a concentration camp. From 1942 until just after the end of the war in 1945, more than 120,000 Americans of Japanese descent were held in Manzanar alone. It wasn’t the only concentration camp for first, second and third generation Japanese-Americans, but it is the most well-known because of Wakatsuki Houston’s book, first published a half-century ago.
Bali 1952: Through the Lens of Liu Kang documents a seven-week trip to Java and Bali in 1952 by four China-born and Shanghai-trained Singapore artists—Chen Wen Hsi, Chen Chong Swee, Cheong Soo Pieng and Liu Kang—to sketch and paint tropical beauty.
That Before Colonization can be read in several ways is to its favour, but also makes it hard to review. It takes aim at the way international relations (referred to by the field’s formal initials IR) has tended to go about its business; it is also a refreshingly straightforward discussion of, as in the subtitle, “Non-Western States and Systems in the Nineteenth Century”, which includes clear explanations of theory as well as numerous interesting examples. But, most interestingly perhaps, authors Charles R Butcher and Ryan D Griffiths also treat their data statistically, implying that IR could do with some additional empirical rigor.
This year marks the 50th anniversary of the fall of Saigon and what is now celebrated in Vietnam as the unification of the country. Outside of Vietnam, this anniversary is tinted with stories of exile, of loss and trauma, of surviving in a new country and culture, where Vietnamese voices often go unheard. The Cleaving is a collection of conversations between writers and artists of Vietnamese heritage, from those who have been creating for decades to those who have just published their debut novel, in which they share their experiences and reflections on this journey of survival over the last half century.
In his book Tianjin Cosmopolis, Pierre Singaravélou remarks that “The history of modernity is a history of possible futures as much as a study of the processes of modernization.” Thanks to a new translation from the original French, English readers now have a chance to consider one possible future of China that never came to pass. Hewing to primary sources and refraining from simple narratives, Singaravélou details the agency and dynamism of the late Qing response to Western intrusion.
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