This new collection with an unbeatably eye-catching title opens with the eponymous novella. “Courtesans Don’t Read Newspapers” takes more than a few (albeit short) chapters to get to the heart of the story: the red-light district in Kashi (also referred to as Varanasi or Banaras in the novella) is slated to be shut down to make way for new construction. This wasn’t the first time the city had tried to drive out women and girls.
Category Archive: Reviews
Although no longer as true as it was, East Asian trade in the early-modern period is often presented from the perspective of one more Western nation or another: the Spain’s Manila Galleon trade, the Portuguese spice trade and unique base in Macau, the Dutch East India Company, and latterly, the British via Canton and Hong Kong.
While war is a perennial subject for historians, stories of friendships and exchanges, especially when set aside in the dustier corners of contemporary memory, make equally memorable material for history. A case study is the story of India and Egypt, the subject of East of Empire: Egypt, India, and the World between the Wars in which Erin MB O’Halloran recounts the relationship between the leaders and movements of the two countries between 1919 and 1939, a particularly interesting period that witnessed events such as the abolition of the Caliphate, the Abyssinian crisis, and the partition of Palestine.
At a demolition site in modern-day Osaka, workers unearth an old air raid shelter, sealed for decades. Inside, Murder on the Orient Express by Agatha Christie, The Hollow Man by John Dickson Carr, The Tragedy of the Funatomi by Yu Aoi, and other classic mystery novels are wrapped in a faded cloth, embroidered with “House of Omari” and the merchant’s long-forgotten temari-ball logo. Once the glamorous face of the cosmetics industry, the Omari family saw their fortunes decline with the onset of the second world war—and then the murders begin.
“Untranslatable”, concluded the erudite, 17th-century Jesuit missionaries, referring to the glorious corpus of Chinese poetry. While they acknowledged that poetry played an outsized role in Chinese civilization, they limited their translations to histories and scientific texts. They knew of but didn’t try to tackle the Book of Songs or the Tang dynasty anthologies. We can explain their reluctance by recalling that in their era, Latin and Italian poetic forms shaped their tastes just as strictly as ancient Chinese forms limited that of their hosts. They could not translate Chinese poetry into Petrarchan sonnets or Horacian odes, so they didn’t.
The opening panels of the manga Miss Ruki show the title character working from home processing medical insurance claims. In a voice so dry it verges on sardonic, an unseen narrator explains that Miss Ruki finishes projects weeks earlier than her boss thinks she does, so she spends most of her time reading books from the library—books like Saeke Tsuboi’s anti-war classic Twenty-Four Eyes or Ira Levin’s classic American horror novel Rosemary’s Baby.
Prose poetry can be hard to get a handle on. It is literally oxymoronic, like “documentary fiction”; such terms are perhaps a recognition that most categories are really endpoints on a spectrum. As one now does in these situations, one asks AI, which unhelpfully replied: “Prose poetry is a hybrid literary form that adopts the structural format of prose—paragraphs without line breaks—while employing the stylistic and rhetorical devices of poetry.”
A fluent Arabic speaker, Justin Marozzi has spent much of his career as a journalist and author trying to understand the Middle East through an historical lens. His earlier books include Islamic Empires, a history of Islamic civilisation told through some of its greatest cities, and Baghdad: City of Peace, City of Blood, which won the 2015 Royal Society of Literature’s Ondaatje Prize.
Writers have long found it useful to approach the tumult of modern China through the lives of those leaders born around or shortly after the turn of the twentieth century: men whose careers stretched across the subsequent decades of revolution, war, political turmoil and economic transformation. In the last twelve months we have already had two heavyweight biographies of such Chinese leaders—Chen Jian on Zhou Enlai, Robert Suettinger on Hu Yaobang—and now Joseph Torigian has written a similarly substantial account of the life of Xi Zhongxun. Though he never held the highest office, Xi’s life provides a revealing lens through which to view the history of both party and country, as well as the remarkable psychology of persecution and allegiance that marks the stories of the generation of leaders who suffered through the worst excesses of the Mao era.
Mesopotamia is having a moment. Moudhy Al-Rashid’s Between Two Rivers: Ancient Mesopotamia and the Birth of History, joins among others Land Between the Rivers: A 5,000-Year History of Iraq by Bartle Bull, The Center of the World: A Global History of the Persian Gulf from the Stone Age to the Present by Allen James Fromherz and, some more esoterically, Enheduana: The Complete Poems of the World’s First Author by Sophus Helle, all released in the last 12 months or so.
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