Tae Kudo is a neurotic 46-year-old woman who has become something of a hypochondriac in the early months of the coronavirus pandemic. Some of her experiences will be deeply familiar to most readers—like her caution about masking or disinfecting her groceries. Others, like her hyperfixation on conscious capitalism, the environmental impact of her actions, or even refusing to be in the same room as a houseguest, may not.
The Russians came late to Japan, arriving after the Portuguese and other European powers. But as soon as they arrived, Russia tried to use spies and espionage to learn more about their neighbor—with various degrees of success. Sometimes, it failed miserably, like Russia’s early attempts to make contact with pre-Meiji Japan, or the debacle during the Russo-Japanese War. Other times, they were wildly successful, like during the Battle of Khalkin Gol or with Richard Sorge’s spy ring during the Second World War.
The marketing blurb for Amitav Acharya’s most recent book From Southeast Asia to Indo-Pacific begins, rather portentiously, “Southeast Asia was created by geopolitics, and it might die with it.” The book itself, thank goodness, is a considerably more measured (and clearly-written) overview of how Southeast Asia and ASEAN came to be more or less synonymous and how the region, as a region, might fare in the newly-turbulent world of the second quarter of the 21st century.
Zhang Guixing’s Elephant Herd is as complicated and teeming as the rain forest in which it is set. Within this rich natural environment is a family drama, a political drama, and what amounts to a coming-of-age novel in an incredibly violent, and seemingly amoral, world.
The Asian Review of Books is supporting four sessions of authors from Japan, Korea and the Philippines, including the Akutagawa Prize-winner Rie Qudan, at the 2025 Hong Kong Book Fair.
Ali Banisadr: The Alchemist is a new publication and exhibition organised by the Katonah Museum of Art and the first major museum survey of Iranian-born artist Ali Banisadr. Covering twenty years of the artist’s practice, the exhibition and catalogue offer a fresh perspective on the artist’s career across the mediums of painting, drawing and printmaking.
The IT sector seems to be concerned with the flow of information across nations. However, it can also be about the flow of emotions. Labour around technology is not only about programming; it can also be about emotional exhaustion. In The Future of Futurity: Affective Capitalism and Potentiality in a Global City, anthropologists Poornima Mankekar and Akhil Gupta document the workings of call centres by looking at how the BPO “agents” (workers or operators are called agents) navigate the demands of their job: doing “night work”, learning and unlearning accents, and racist abuse from the customers.
Macau—onetime Portuguese colony, now casino hotspot—has long captured the imaginations of travelers, reporters, artists and writers. The city served as the only gateway to China for centuries; then, after the rise of Hong Kong, its slightly seedier vibe made it a popular setting for books, articles and movies exploring the more criminal elements of society.
The noun “Partition” (with a capital “P”) has, in South Asia and perhaps globally, come to mean the 1947 split of India and Pakistan, a climactic event that still roils, if not poison, domestic and international politics.
Aatish Taseer, with roots in England, India, Pakistan, and the USA, appears to be a member of the globalized elite, able to call multiple nations his own. For Taseer, however, there is only one country he calls home. A self-described “Indian writer”, Taseer, for much of his adult life, has distanced himself from his absentee, Pakistani politician father. Still, despite Taseer’s best efforts, his father’s nationality has come back to haunt him.
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