When Lana Lee adds a catering service to her family’s noodle restaurant in the suburbs of Cleveland, Ohio, it’s not what she expected. At a birthday party for family friend Donna Feng, nanny Alice Kam is found dead in the outdoor swimming pool. It’s not an accident, as bruises are found around Alice’s neck and wrists. Lana attended the party as the caterer and heard the scream when a guest discovered Alice’s body floating in the pool.
Tehran bus driver Yunus Turabi, participates in a city-wide strike called by the union. The strike is forcefully repressed. Violence begets more violence. Yunus loses his temper in a bus ride as he remembers his peers beaten by police forces. He is imprisoned shortly after, in a life-altering departure from a previous existence marked by small pleasures and industrious routine. Thrown into a brutal prison world he has no previous acquaintance with, in the notorious Evin Prison no less (“the black hole of Tehran”), 44-year-old Yunus comes to grip with his charges in a story that carefully threads social justice, solitude, and draws on classical prison literature for its depiction of settings, nuance and conflict.
There’s much to be said for attempting to develop social and political theories, models and philosophies based on something other than Western lines of thought and datasets; the latter’s universality and applicability to the wider world is something which, if not taken merely on faith, that needs to be demonstrated. China, with intellectual, political and social histories of its own, offers both alternatives to, and tests of, prevailing Western conventions.
Perhaps because it transcends language and even thought, there is something about food that both reinforces and crosses culture. Food has been a cultural and emotional touchstone for Nina Mingya Powles since her earliest days.
“But what of returning?” The answer to that question is “not yet”, probably never for the long-term, although ambivalence and nostalgia prevails. The past, the cycle of life, life’s inevitable compromises, and that haunting question is deeply examined in this poetry collection by Jennifer Wong.
“Indo-Pacific Empire: China, America and the Contest for the World’s Pivotal Region” by Rory Medcalf
Geopolitical analysis is partly based on geographical perspective. Writers on geopolitics tend to view the world from their home country’s perspective. Australian national security expert Rory Medcalf in his new book Indo-Pacific Empire uses classical geopolitics and an understanding of modern geoeconomics to survey the current struggle for power in the most contested and consequential part of the world. And he does this from an Australian perspective—an Australian, moreover, whose diplomatic postings included India. That said, his book is a tour de force of 21st century geopolitical analysis that should be read by strategists and statesmen throughout the region and the world.
It would be easy to characterize An Yu’s outstanding debut novel Braised Pork as a mystical journey of one woman’s grief, but that is to almost say nothing about the book at all. Jia Jia is a young woman faced with the sudden suicide of her husband; her story reads like a heavy dream. Its characters, its stuttering plot, its surreal setting and An Yu’s ability to fold in the strangeness of the work into our own reality, make it unforgettable.
Mention Japanese film and responses will likely range from the 1950s Golden Age to today’s panoply of genre movies. The variance has less to do with conflicts between artistry and populism—even Kurosawa famously trafficked in samurai—than with context and perspective. International acclaim, whether past or present, offers only a limited vista on a country’s internal cinematic life; to make full sense of Japan’s giant dinosaurs, yakuza gangsters and animated princesses, you need someone well-placed on the ground. Someone like Mark Schilling.
The world is perhaps changing when translations from Chinese feature as the first volume in a series of just about anything. Two Lines Press, an independent publisher based in San Francisco, has recently launched the Calico Series of translated literature. “Each Calico is a vibrant snapshot that explores one aspect of the present moment, offering the voices of previously inaccessible, highly innovative writers from around the world.” That We May Live is the first in the series and features seven stories in translation from authors in Hong Kong and China.
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