The ’30s and ’40s were some of the first instances of aerial bombardment of civilian populations—and an indication of their destructive power. We often point to the Nazi bombing in Guernica, Spain in 1937—immortalized by Pablo Picasso—as the first instance of what happens when “the bomber gets through”, to paraphrase then-Prime Minister Stanley Baldwin. But just a few months later, across a continent, the world got a glimpse of what bombardment would look like in one of the world’s most built-up and international cities of the time: Shanghai, and “Bloody Saturday”: 14 August 1937.
Shanghai
The mass aerial bombing that so characterized World War II and the wars that followed didn’t start with the blitz, Dresden or Tokyo, but was instead prefigured by the lethal bombing of Shanghai on 14 August 1937, preceded only by the bombing of Guernica in the Spanish Civil War earlier that year.
Inspired by the Glasgow Girls, a collection of pioneering Scottish female artists working in the early 20th century, this third novel from author Maggie Ritchie follows the adventures of two women as they try to make their mark in a male-dominated world.
In his new (but posthumous) memoir, Shanghai Jewish refugee Paul Hoffmann writes about his three most tumultuous experiences. One was enduring six months of Nazi Vienna, the other the terror inflicted by Sargent Kano Ghoya in the Shanghai Jewish Ghetto, and the third life under the new Chinese regime from 1949-1952. Much has been written about the first two, but Witness to History sheds light on the lives of the Jews that stayed behind in Shanghai after 1949.
William Gross (or Grose) was a 19th-century African-American pioneer and hotelier in Seattle that caught the attention of author Amy Sommers. She bases her novel Rumors from Shanghai on a fictional grandson, Tolt Gross, a young lawyer who moves to Shanghai and soon after learns of Japan’s plans to bomb Pearl Harbor.
Crystal Z Lee’s debut novel, Love and Other Moods, begins—as one does—with a lavish wedding à la Crazy Rich Asians. Chinese-American Joss Kong is marrying ultra-wealthy Tay Kai Tang at a swanky Shanghai hotel with an audience of friends and family that speak a variety of Chinese dialects and English with a variety of accents. There’s a Who’s Who of designer and luxury goods on everyone in the wedding party and on every guest.
“These violent delights have violent ends. And in their triumph die, like fire and powder, which as they kiss, consume.”
Chloe Gong sounds more like a character in a young adult novel than the author of one. A Shanghai-born, New Zealand-raised UPenn senior double-majoring English and international relations lands a book deal with one of the most reputable publishers of children’s books and publishes it to considerable (and deserved) critical acclaim.
Writer and editor Mu Shiying declared 1934 the Year of the Magazine, marking a dramatic rise in Chinese pictorial magazines, modeled on American publications like Life and Vanity Fair.
Amid the plethora of China memoirs by Western writers over the years, this new one set in Shanghai from 1978 to 1979 stands out a little because it takes place during a time of transition in China. But Anne E McLaren’s Slow Train to Democracy is more than just a record of her time in China or the transition; it’s an account of a little-known democracy movement in Shanghai —around the time the government coined the term “socialism with Chinese characteristics”—that was eclipsed by Tiananmen a decade later.
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