The Norwegian explorer Thor Heyerdahl, never one to shrink from a challenge, visited Gobustan in Azerbaijan for two decades to prove his theory that the ancestors of today’s Scandinavians left behind the mysterious rock carvings near Baku. Uncanny similarities between petroglyphs showing the long, oared boats of Caspian seafarers and those of the Vikings, and between other rock carvings in both Azerbaijan and Norway tantalized Heyerdahl.
Category Archive: Non-Fiction
Dahlia Abraham-Klein’s grandfather Haim Abraham lived to 102. She was fortunate to have gotten to know him when she was younger, but it wasn’t until Haim passed away in 1999 that Abraham-Klein learned more about his life thanks to a journal he had left behind. This journal chronicled not just Haim’s life but that of the former Jewish merchant class in Central Asia. Haim wrote his journal entries in Judeo-Farsi, written in a unique cursive Hebrew script from Jews of Iran, Afghanistan and Central Asia. Judeo-Farsi is almost extinct now, so it took Abraham-Klein a decade to find someone who could translate and decipher the journal entries into Hebrew. She has taken many of these journal entries and has woven in her own narration in her new book, The Stateless Central Asian Merchant: The Life of Haim Aghajan Abraham Based on His Journal 1897-1986, a unique look into a Jewish community that no longer exists.
In Silk Roads, food writer Anna Ansari connects areas and cuisines not typically associated in English-language cookbooks, traveling from Beijing, to Baku in Azerbaijan. The closest author/chronicler would perhaps be Paula Wolfert, who is known for her Mediterranean cookbooks spanning France, Morocco, and the “eastern Mediterranean” to include Turkey. Ansari’s food memories originate from her ethnically Turkish family who left Iran and settled in the US.
Arundhati Roy’s much-awaited memoir, Mother Mary Comes To Me, tackles Roy’s writing career, India’s sweeping political instability, and most of all, a reckoning with an exhilarating character: her mother, Mary Roy. From Roy’s village, fictionalised even here as “Ayemenem”, to the chaotic urban sprawl of Delhi, the book covers Roy’s rocky childhood, her brief architectural foray, her sudden and dizzying literary stardom, and eventually, her settling into the role as one of India’s most beloved—and most widely politicised—writers.
Our beliefs about the past pass through filters both ideological and physical. Cotton, leather and papyrus all disintegrate with time, but fired clay does not. Hence museums filled with jugs and bowls instead of scrolls and clothing. Still, such a vessel inspired one of England’s most celebrated poems, John Keat’s “Ode on a Grecian Urn”. It seems that Fahad Bishara had a similar epiphany when he beheld a century-old ship’s logbook, or ruznamah. Although written in prose, Monsoon Voyagers evokes Keats by bringing a lost world to life, combining a scholar’s rigor with a poet’s voice.
Tipu Sultan, known as the “Tiger of Mysore”, ruled the southern Indian kingdom of Mysore from 1782 to 1799. Born in 1750 to Haidar Ali, a military leader who gained power through strategic alliances, Tipu inherited a strong state during colonial upheaval. He led Mysore to prominence, fighting the British East India Company in the Anglo-Mysore Wars, and died heroically in 1799 defending Srirangapatna. Tipu stood out for his innovations and controversies. He boosted the economy with silk and trade reforms, introduced a new calendar and coins, and developed iron-cased rockets that impressed British forces. He even sought alliances with Napoleon and the Ottoman Empire to counter British rule. However, his legacy splits opinion: hailed as an anti-colonial hero, he’s also criticized for forcing conversions and destroying religious sites in Malabar and Kodagu, sparking debates over his tolerance versus tyranny.
In an epilogue to his new book Assassins and Templars, Steve Tibble says (or, perhaps, protests) that his book really has nothing to do with the video game “Assassin’s Creed”, that any similarity is not so much coincidence as common intellectual and cultural ancestry. Readers of a certain generation might entertain some skepticism, especially in light of Tibble’s colloquial (albeit steadfastly rigorous) approach to the subject. Tibble might nevertheless have been aware of some pop-culture competition for reader mind-space, for he has written a page-turner of a history.
Expat memoirs, even (or perhaps especially) of the East Asian variety, are a venerable genre. One suspects that even in the early days, what authors presented as new and exotic, probably wasn’t really. In these days of ubiquitous travel videos on YouTube, this is probably even more the case. As a result, such books need a good raconteur or prose stylist to pass muster. Fortunately, Connla Stokes is both.
Even the idlest stroller will be awestruck by the beauty of Cairo’s City of the Dead. Yet this gem of 14th and 15th century architecture, a Unesco World Heritage site, leaves the visitor wondering about the sultans, beys and princesses for whom these elaborate monuments were built. Stones can tell stories, but objects bring the past to life. The Louvre Abu Dhabi’s exhibition, with over 250 pieces, aims to provide a fuller sense of these patrons, the Mamluks: who were they and how did they see themselves?
The term “Industrial Revolution” entered modern parlance in 1799, courtesy of the French diplomat Louis-Guillaume Otto. What began with incremental improvements in steam power and textiles would sweep the world, freeing societies from the Malthusian trap while upending the distribution of political power. But for all that epochal significance, scholars have never arrived at a consensus on why it began in Western Europe and not, say, East Asia. After reading Mehran Gul’s The New Geography of Innovation, one suspects that the present revolution in silicon and algorithms will also evade simple explanations.
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