Electrifying Indonesia tells the story of the entanglement of politics and technology during Indonesia’s rapid post-World War II development. As a central part of its nation-building project, the Indonesian state sought to supply electricity to the entire country, bringing transformative socioeconomic benefits across its heterogeneous territories and populations.
The Man Who Walked Backwards and Other Stories is an anthology of eighteen short stories by S Ramakrishnan, the popular and critically acclaimed master of modern Tamil writing. The stories in this collection are a celebration of eccentricities: they feature characters who defy conventions, and who listen to their inner selves instead of conforming to familial and societal norms.
Claire Pedersen and her husband relocate from NYC to the Catskills after finding a terrific deal on a property in foreclosure. The house has been in April Ives’ family for three generations, but the single mother of three children from two different fathers needs the money. Claire and April are instantly antagonistic, but the sale proceeds, and renovations begin. Soon after, Claire’s husband develops an erotic fascination with Anna, a young Korean member of a nearby religious community called the Eternals.
Why would an inkstone have a poem inscribed on it? Early modern Chinese writers did not limit themselves to working with brushes and ink, and their texts were not confined to woodblock-printed books or the boundaries of the paper page. Poets carved lines of verse onto cups, ladles, animal horns, seashells, walking sticks, boxes, fans, daggers, teapots, and musical instruments. Calligraphers left messages on the implements ordinarily used for writing on paper. These inscriptions—terse compositions in verse or epigrammatic prose—relate in complex ways to the objects on which they are written.
The stories in Khem K Aryal’s new collection present a deeply human perspective on the travails—and triumphs—of a group of Nepalese immigrants struggling with the consequences of their decision to come to America.
One of the great works of Chinese literature, Kingdoms in Peril is an epic historical novel charting the five hundred years leading to the unification of the country in 221 BCE under the rule of the legendary First Emperor. Writing some fourteen hundred years later, the Ming-era author Feng Menglong drew on a vast trove of literary and historical documents to compose a gripping narrative account of how China was forged.
The holiday week that starts October in China saw both “Immersive Comic Opera Week” and a recital of soprano Anna Netrebko at the Guangzhou Opera House.
Edo-period Japan was a golden age for commercial literature. A host of new narrative genres cast their gaze across the social landscape, probed the realms of history and the fantastic, and breathed new life into literary tradition. But how to understand the politics of this body of literature remains contested, in part because the defining characteristics of much early modern fiction—formulaicness, reuse of narratives, stock characters, linguistic and intertextual play, and heavy allusion to literary canon—can seem to hold social and political realities at arm’s length.
When East Asia opened itself to the world in the nineteenth century, Chinese, Japanese, and Korean intellectuals had shared notions of literature because of the centuries-long cultural exchanges in the region. As modernization profoundly destabilized cultural norms, they ventured to create new literature for the new era.
A huge bestseller in Japan, this is the highly anticipated second book from the global bestselling author of The Travelling Cat Chronicles. Made up of seven short stories, The Goodbye Cat takes readers on a journey around Japan.
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