An unnamed narrator addresses her lover: “I didn’t know your name when we first met. No one introduced us. The only thing I remember is that you were picking roadside elderflowers.” The relationship between the young Chinese narrator and “you”, the elderflower picker, progresses quickly and their relationship, from living on a houseboat to exploring Australian tourist towns, is explored through the fragments of conversations that make up Guo Xiaolu’s A Lover’s Discourse.

Twins Chirri & Chirra are pedalling on their bicycles when they find a cave:

 

“Let’s take a look, Chirri.”
“Yes let’s go, Chirra.”

 

With those opening words, the twins in their matching white dresses (only a blue pocket differentiates Chirra from Chirri’s red pocket) ride their bikes into a tunnel, headlights illuminating the path ahead. They arrive under the sea. “Oh,” the rosy-cheeked twins say as they pedal in the water, surrounded by fish, coral and algae.

As a child growing up in Atlanta, author Julie Leung didn’t have the opportunity to read about inspiring Chinese-Americans and, specifically, Chinese-American artists. When she learned about Tyrus Wong, the artist who created the style in the Walt Disney film Bambi, through his New York Times obituary, Leung decided to write his story in the picture-book biography Paper Son: The inspiring story of Tyrus Wong, immigrant and artist.