The venerable Charles Allen left perhaps his most contentious subject for his last (and posthumously-published) book. The Aryans: The Search for a People, a Place and a Myth is a wide-ranging discourse on history, science, archaeology, linguistics, the history of all four, interleaved with commentary on some two centuries of highly-objectionable politics and political discourse: he opens with a chapter titled: “The Rise and Fall of Superman: Aryanism and the Swastika”.
Author: Peter Gordon
If there were ever a question regarding the role of regional “indie” publishers, Unseen Burma should answer it. Who else but Bangkok-based River Books would bring out a book with a local collector’s century’s worth of photographs of this usually out-of-sight, out-of-mind country?
Among the current surfeit of books that claim to explain China, Terminus: Westward Expansion, China, and the End of American Empire, a new treatise on Sino-American relations, distinguishes itself by placing the current bilateral tensions in the context of almost two and half centuries of American expansion (“imperial expansion” as author Stuart Rollo puts it) which, it argues, had China as its target and which have reached its limit (hence “Terminus”).
Although originally conceived as an oratorio, Felix Mendelssohn’s Elijah (1846) has in recent years been staged, on occasion at any rate, as an opera. Last night’s semi-staged performance by The Bel Canto Singers showed why: whatever the libretto may lack in theatricality is made up for by the drama in the music, sung by operatically-sized cast of a dozen named characters and a large chorus.
“In the early summer of 1819, a British hunting party was heading through thick jungle near Aurangabad when the tiger they were tracking disappeared into the chasm of a deep ravine.” With that romantic and somewhat Indiana Jones-like opening, William Dalrymple begins his Foreword to this new and updated edition of Benoy K Behl’s classic The Ajanta Caves: Ancient Buddhist Paintings of India.
Pierangelo Valtinoni is a contemporary Italian composer best-known, among other things, for his operas for children. The Snow Queen (La regina delle nevi), originally commissioned by the Komische Oper Berlin, was given its Asian debut (in English translation) at Hong Kong’s Shatin Town Hall 14-15 October.
Oksana Dyka brought a powerful voice and stage presence to Opera Hong Kong’s new production of Puccini’s one full-length foray into melodrama which runs through 15 October at the Hong Kong Cultural Centre.
The railroads, San Francisco Chinatown, the Chinese Exclusion Act, laundries, restaurants: just when you thought there was nothing more to be written about the story of Chinese immigration to America, along comes Hugo Wong with an absorbing account of his families’ history in Mexico. Wong is a scion of two of Mexico’s erstwhile most important and successful Chinese families, but whose stories have largely been forgotten. Both the remembering and the forgetting contain important lessons.
Although the stories in Paul Yoon’s latest collection range from northern Vermont and the Costa Brava to the Russian Far East, and chronologically from 17th-century Japan to more less the present day, with stops along the way in Tsarist Russia and the Cold War, they all feature protagonists who are Korean in one way or another.
If one thought, as I admit I did, that a book with “Silk” and “History” in its title would be (yet another) about China and the Silk Road, one will soon be disabused. Aarathi Prasad, a biologist and science writer, opens with the Lepidoptera floors at London’s Natural History museum. Silk, argues Prasad, has a much more complicated story that the conventional one of China and the Chinese silkworm Bombyx mori: “there is not just one silk, there is not just one story of silk. Not one road, one people who found it, nor who made it.” Indeed, some of the earliest silk cocoons ever found, from Xiyin Cun some two hundred kilometres west of Shuanghuaishu and dating from 3500 BCE, aren’t Bombyx mori at all.
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