A House is a Body is the first book-length outing for two-time O Henry Award-winner Shruti Swamy. Most of the stories have been published separately before in such journals as The Paris Review, but they take on a particular strength when arranged together in a collection. Some take place in India, others in the West, but the power of the book rests in those stories that subtly show how women have traditionally not been recognized for the nurturing roles they take up.

Swati is the last person Rachel Meyer expects to find at her front door in Mumbai. Swati is also the last person Rachel’s husband, Dhruv, expects to find at home after work one day. Swati, a native of Kolkata, is Dhruv’s mother and Rachel’s mother-in-law, and she’s moving in. So starts Leah Franqui’s novel, Mother Land, a story of trying to find oneself in another country and placing the success of that on another person.

When Excel Maxino turns ten, his mother, Maxima, takes him to Pier 39 in San Francisco, revealing a life-changing secret: She and Excel are TNT: tago ng tago, Tagalog for hiding and hiding. In his new novel, The Son of Good Fortune, Lysley Tenorio tells a captivating story of undocumented immigrants and their never-ending resolve to remain invisible so they aren’t found out.

Tourism has been an industry hit harder than almost any other by Covid-19. Restarting it is one of the major post-pandemic priorities, although mass tourism has itself often been an environmental and, especially in developing countries, social scourge. Although written well before the outbreak, Yun Ko-Eun’s entertaining eco-satire The Disaster Tourist is only just now appearing in Lizzie Beuhler’s English translation, at a unique time when travel has all but come to a standstill. 

Amid the plethora of China memoirs by Western writers over the years, this new one set in Shanghai from 1978 to 1979 stands out a little because it takes place during a time of transition in China. But Anne E McLaren’s Slow Train to Democracy is more than just a record of her time in China or the transition; it’s an account of a little-known democracy movement in Shanghai —around the time the government coined the term “socialism with Chinese characteristics”—that was eclipsed by Tiananmen a decade later.