Although originally conceived as an oratorio, Felix Mendelssohn’s Elijah (1846) has in recent years been staged, on occasion at any rate, as an opera. Last night’s semi-staged performance by The Bel Canto Singers showed why: whatever the libretto may lack in theatricality is made up for by the drama in the music, sung by operatically-sized cast of a dozen named characters and a large chorus.

The first half of May was been a busy fortnight for opera in the Greater Bay Area. The renowned Chinese soprano He Hui sang her first Wagner role, Senta in Der fliegende Holländer, at the Guangzhou Opera House on 5 and 7 May, a dramatic move (literally and figuratively) away from the Verdi and Puccini heroines for which she is best known.