The poet in Brown God’s Child makes no bones about laying bare the cultural rooting of her identity in the very first poem of the volume. Be it through “burnt caramel”, the colour of her God’s skin or the sounds of her language—half Sanskrit and half Dravidian—poet Smitha Sehgal makes her entry as a formidable voice.
A visual enactment of attempts at articulating, Eke is the at-tempt-ation towards meaning. What does the feeling of holding your words and thoughts back—stuck and struck in a state of percolation, a plasma state of signification—feel like? What does it look like for ambivalence and divergence to converge during the moment of articulation, when all word-opportunities collide at once, like wildly unspooling threads, like heavy raindrops on a glass surface racing from one fork to the next?
Dreamy and playful, Gabrielle Tse’s debut pamphlet Rustlings speaks to memory and domesticity, maintaining a balletic lightness above fractures in language and heritage. With all its subtle sounds and textures, Rustlings is a sensuous exploration of the absences and complications of daily life.
Who are the Bene Israel Jews of India? Where did they come from? How did they survive in India? Sweet Malida is a moving, multi-layered, richly sensory and informative collection of poems and short prose inspired by this ancient community to which the poet herself belongs.
Mountain Songs embodies the intersecting narratives of migration and how it shapes one’s identity.
This new collection of poetry celebrates the music in the seemingly mundane. Imbued with a deeply philosophical consciousness, and the questioning spirit of the ancients, it engages in the pleasures of technology, while ever cognizant of its drawbacks in its assault on the personal. As always, with this poet, there is an Upanishadic, yogic, and quantum search for truth and the essence of reality—the ancient Indian concepts of multiplicity, multipresence, and simultaneous existences finding support in cutting- edge quantum physics.
Indebted to the docupoetics tradition, Raena Shirali’s summonings investigates the ongoing practice of witch (“daayan”) hunting in India.
Shawn Hoo’s debut poetry chapbook, Of the Florids, begins with an inability to speak of the natural world in the urban fortress of Singapore; a tropical island’s fading romanticism for a city boy.
In Muscle Memory, Washington-based poet Jenny Liou grapples with violence and identity, beginning with the chain-link enclosure of the prizefighter’s cage and radiating outward into the diasporic sweep of Chinese American history.
Shang Qin (1930–2010) is widely considered one of the most influential and original modern Chinese poets. His critical acclaim was earned not only as a modern master of the prose poem but also as one of Taiwan’s leading surrealist poets. This book is the largest selection of his poetry available in English.
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