There is no obvious throughline that runs through this new collection of Osamu Dazai stories; only a series of Dostoevskian protagonists—young men who smoke too many cigarettes, cower in social situations, and who are consumed by deep insecurity. Written in the second half of the 1930s, Retrograde has been arranged and translated by Leo Elizabeth Takada, who has previously subtitled the Oscar-winning Japanese film Perfect Days for English audiences.
Category Archive: Fiction
Harini Nagendra brings the vibrancy of 1920s India to life in the “Bangalore Detectives Club” series, tightly-plotted mysteries interweaving themes of colonialism, women’s empowerment and the environment. In the latest, Into the Leopard’s Den, her fearless sleuth Kaveri Murthy—now pregnant with her first child—travels to the verdant forests and sprawling coffee plantations of Coorg to investigate a murder.
Set against a variety of conflicts from the past century, author and academic Sunny Singh pays tribute to the courage and strength of victim-survivors of war, whose voices mostly go unheard because the victors control the narrative.
This new collection with an unbeatably eye-catching title opens with the eponymous novella. “Courtesans Don’t Read Newspapers” takes more than a few (albeit short) chapters to get to the heart of the story: the red-light district in Kashi (also referred to as Varanasi or Banaras in the novella) is slated to be shut down to make way for new construction. This wasn’t the first time the city had tried to drive out women and girls.
At a demolition site in modern-day Osaka, workers unearth an old air raid shelter, sealed for decades. Inside, Murder on the Orient Express by Agatha Christie, The Hollow Man by John Dickson Carr, The Tragedy of the Funatomi by Yu Aoi, and other classic mystery novels are wrapped in a faded cloth, embroidered with “House of Omari” and the merchant’s long-forgotten temari-ball logo. Once the glamorous face of the cosmetics industry, the Omari family saw their fortunes decline with the onset of the second world war—and then the murders begin.
The opening panels of the manga Miss Ruki show the title character working from home processing medical insurance claims. In a voice so dry it verges on sardonic, an unseen narrator explains that Miss Ruki finishes projects weeks earlier than her boss thinks she does, so she spends most of her time reading books from the library—books like Saeke Tsuboi’s anti-war classic Twenty-Four Eyes or Ira Levin’s classic American horror novel Rosemary’s Baby.
A family has gathered in a mansion to discuss the inheritance of a wealthy grandfather’s estate. It is a familiar mystery setup, and one that risks cliché, but Yasuhiko Nishizawa takes it into exciting new territory in The Man Who Died Seven Times. Nearly the whole story occurs within a single repeating day, much like the time-looping premise of the classic film Groundhog Day. Faced with his grandfather’s murder, the protagonist must sort out the nature of the crime (and try to prevent it) by altering the course of that day’s events.
In Mistress Koharu, a Hungarian love doll comes to life, turning heads as she stalks the streets of Tokyo, while the man who bought her—Akira—strings along two other relationships in a spectacular feat of multitasking greed that benefits no one, least of all him. Written in Japanese by Noboru Tsujihara and translated by Kalau Almony, the novel, leaning bizarre and absurdist, is still an insightful meditation on lust, power, and greed.
Bornean-Australian novelist, playwright, poet, rapper and visual artist Omar Musa comes with a bit of a pedigree. His debut novel Here Come the Dogs was long-listed for the International Dublin Literary Award and for the Miles Franklin Award. He was named one of the Sydney Morning Herald’s Young Novelists of the Year in 2015.
A collage of epigraphs make up the first few pages of The Elsewhereans. Each subsequent chapter is heralded by a series of locations, dates, photographs, and quotes—some perhaps falsified. Jeet Thayil’s newest work is exactly what its subtitle—“A Documentary Novel”—claims: a partially-fictional documentation of Thayil’s family history, recorded scrapbook-style in bits and pieces. Dedicated to his late mother, who passed away earlier this year, The Elsewhereans reads as an attempt to capture forever the spirits and lives of his family in a single fluid location, to bind them in the pages of a novel’s created home.
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