Jun’ichirō Tanizaki is one of the most highly-regarded authors of modern Japanese literature. Longing and Other Stories collects three works from the first decade of his career, all originally published from 1916 to 1921.
The conceit of Tulip of Istanbul is that it was “found” as an 18th-century handwritten Ottoman manuscript at a stamp and rare book auction. The arrival of the novel itself is almost as serendipitous: originally published in Turkish in 2009 and then in English in 2015 (also curiously published in Turkey), it is now available…
As India emerges into independence in 1947, Englishman Charlie Strongbow and 23 colleagues set about setting up a smuggling operation on the previously uninhabited Cross Island, just off Bombay’s Ferry Wharf. The aim is to supply the good and the great (and the not-so-good) with contraband cigarettes, cheese, booze, perfume and whatever other Western products…
There are perhaps no works in English translation as beloved as those from Russian literature. It’s in this light that Lan Samantha Chang was inspired to write her new novel, The Family Chao, loosely based on The Brothers Karamazov and transposed to a Chinese-American family in smalltown Wisconsin.
In the opening scene of Liu Zhenyun’s 2017 novel, recently translated into English as Strange Bedfellows by the widely acclaimed translators Howard Goldblatt and Sylvia Li-chun Lin (some critics have gone so far as to assert that Goldblatt’s translations of Nobel Prize winner Mo Yan are better than the originals), we witness the negotiation of…
Some novels catapult readers into a different world than their own. Others, on the contrary, echo one’s life so closely that one cannot but devour them, if only to find out whether the similarities hold ’til the end. Such was my experience reading David Hoon Kim’s Paris Is a Party, Paris Is a Ghost.
Trust China to turn white privilege on its head and make a business of it. A decade or two ago, one way expats at loose ends could make a living there, albeit somewhat precariously and less-than-entirely-honestly, was to be “hired by a Chinese company to pose as a professional at events where a Western face…
Cats have a storied pedigree in Japanese literature. One of modern Japanese literature’s first classics, I Am a Cat by Natsume Soseki, is a parody of Meiji-era Japanese society from a cat’s point of view. (2021 saw the English-language release of a faithful manga adaptation by Chiroru Kobato, translated by Zach Davisson.) Thirty years later,…
Mariam Henna’s debut, The Heart Flutters at Night, comes with the tagline “A Campus Novella”. This campus happens to be in South India. As it opens, Sarah, in the aftermath of the breakup of a long-term relationship, moves to a campus town to study communications and write. She takes up residence in an apartment building…
Inspired by the Glasgow Girls, a collection of pioneering Scottish female artists working in the early 20th century, this third novel from author Maggie Ritchie follows the adventures of two women as they try to make their mark in a male-dominated world.
The narrator of Kou Machida’s Rip It Up is repulsive. In his introduction, translator Daniel Joseph describes him as a “toxic shit heel”. He is sexist; one woman characterizes him as “defilement incarnate”. He constantly insults other people, calling them “morons”, “idiots” and “dumbasses”.
Much more than a genre novel, this historical whodunnit is the fifth outing for Abir Mukherjee’s pair of mismatched detectives and another opportunity for the award-winning author to breathe fresh air into the British-in-India literary canon.
Friendships that begin in early childhood and endure through adulthood differ from friendships started in later years. In her debut novel, Fiona and Jane, Jean Chen Ho explores the special bond between friends who meet in primary school and experience the ups and downs of adolescence along with the typical milestones of adulthood.
It is somewhat inexplicable that it has taken more than 35 years for Liu Xinwu’s The Wedding Party to show up in English. The book was serialized in 1984 and published the next year, winning the Mao Dun Prize and adapted into an 8-episode series for television. Popularity can be the result of hitting a…
Contrary to what may be implied by the term “contemporary Indian literature”, India is not a geographic or political monolith. Rather, India is a composite of very strong regional identities cultivated by and among its provinces. Indian fiction is only now increasingly exploring these regional stories that have somewhat been eclipsed by the larger grand…