Anyone familiar with Fuchsia Dunlop’s work would surely take up any “Invitation to a Banquet” from her. For those unfamiliar with her oeuvre, she has previously written four cookbooks and a memoir covering her time apprenticing at a Sichuanese cooking school, where she was the only non-Chinese student and one of only a handful of…
In Kerry Brown’s several decades of working in and observing China, he has developed a reputation as one of the more sober and thoughtful observers of the country. For those who value logic and epistemology over rhetoric, Brown’s latest (brief) book won’t disappoint.
Shah Hussain was a 16th-century Punjabi Sufi poet based in Lahore. His kafis, (mostly) short rhymed poetry with refrains, referring to the relationship between God and devotee with metaphors of lover and Beloved, or Murshid (literally, the master but also a metaphor for God as well) and mureed (disciple), are sung and relished even today…
At the end of Yiyun Li’s newest book, Wednesday’s Child, she explains that she wrote the stories in this collection—most of which originally appeared in The New Yorker—over the last fourteen years. It was also during this time that she lost her father, teenage son, mentor, and close friend. “They live among these pages now,”…
“You are what you eat,” or so goes a well-worn adage. But what if “you” are an 18th-century Brit and “what you eat” is exotic fare from the Orient? The implications are explored by Yin Yuan in Alimentary Orientalism: Britain’s Literary Imagination and the Edible East.
In 2008, Amitav Ghosh released A Sea of Poppies, the first in a trilogy of historical fiction set in India and China in the 1830s amid the outbreak of the First Opium War. The Ibis trilogy details the growth of opium in India, the role of British agents in shipping it to Canton (modern-day Guangzhou)…
One knows one has a great Delhi novel in one’s hands if it says that the lines “If there’s an paradise on Earth, it is this”—attributed to the 13th century Indian sufi poet Amir Khusrau speaking of the glory of Kashmir—were actually spoken in praise of Delhi “because when did Khusrau go to Kashmir?” Anjum Hasan’s…
An unnamed narrator who lives in Germany working as a copywriter for an asparagus company attends a concert with her roommate without being particularly interested, guided only by the temptation of free tickets. Here, she sees the “pack of boys”, the term used to refer to the Korean boy band around which her life will…
Empire or nation-state? This question has driven much argument in Chinese academic circles. These arguments take more than one form, however. The political view of China as a nation-state has focused very much on the question of sovereignty and international relations. But there is also a claim about Chinese culture and national identity: the question…
When they meet, more like run into each other, on the Trans-Siberian just past Krasnoyarsk, Aliocha and Hélène are both trying to escape: he from the draft, she from a boyfriend. Aliocha, hardly more than a boy, is in a group of conscripts being sent to camp in Siberia; intending to desert, he tries and…
In the opening story of Saras Manickam’s collection, My Mother Pattu, a sixteen year-old Tamil girl named Meena is sent from her home in Penang, Malaysia to live with an aunt and uncle in Mambang, an inland town halfway to Kuala Lumpur. Her crime: writing and receiving letters from a boy at school. This story,…
When a group of junior high school students in China unwittingly film a murder, instead of turning the footage over to the authorities, they devise a scheme to extort money from the killer. These aren’t just any kids, they are Zhu Chaoyang, Ding Hao, and Pupa—the titular Bad Kids of Zijin Chen’s recently translated thriller.
Siddhartha Deb’s The Light at the End of the World is a massive novel filled with conspiracies, uncertainty, madness and marvels, the inability to process the wide array of what is noticed and reported, and, indeed, what counts as reality. Here is the world, specifically India, except it isn’t. As one character responds in a…
Josef Wirsching (1903-1967) was a German cinematographer credited with changing “the future of Indian filmmaking” to quote his grandson Georg Wirsching. His filmography starts with The Light of Asia (1926) and includes many superhits including Pakeezah (1972), one of Hindi cinema’s most loved films. With his graceful filming of Indian heroines and his ability to…
Chris Stowers considers the 1980s to have been the golden age of travel and Bugis Nights describes two trips of his during that decade. One involves traveling in Tibet with his love interest, a German woman named Claudia. Stowers is a green 21-old to Claudia’s seasoned 30. The other, more important thread details a journey…