On 6 July 1860, a British consul by the name of George Whittingham Caine arrived at the nondescript port of Swatow, today’s modern Shantou. He “disembarked from a warship to the cacophony of a seven-gun salute” and, following the obligatory hoisting of the Union Jack atop the improvised consulate building, “triumphantly declared the treaty port of Chaozhou ‘open’.” Yet unlike other treaty ports scattered along the maritime fringes of the tottering Qing empire, the British found themselves from the outset outflanked by established Chaozhouese (otherwise known as Chiuchow or Teochew) trading communities and failed to gain a foothold in the profitable local commodity trade in rice, sugar, beancake and, most remunerative of all, opium.
Zilka Joseph is a poet in Michigan whose writing is informed by her immigrant experience, an unusual one at that for it’s not just that she was born and raised in India: she’s also Bene Israel, the name for Indian Jews who have lived on the subcontinent for two thousand years. Her new book of poetry, In Our Beautiful Bones, tells mostly of her experiences in the United States.
Wu Shih-sheng is a taxi driver, sinking in debt and living in a cockroach-infested metal shack in the outskirts of Taipei with his wife, Hsiang-ying. When she dies in a mental hospital, after claiming to have been hearing the voice of a ghost threatening her life and that of their daughter, Shih-sheng decides to dig deeper. His journey will lead him to consult with a deranged Taoist priestess, and eventually to embark on a dangerous hike on the top of Mount Jade, in central Taiwan, with the purpose of destroying the evil creature.
This book analyses how authoritarian rulers of Southeast Asian countries maintain their durability in office, and, in this context, explains why some movements of civil society organizations succeed while others fail to achieve their demands.
Sikhs, at least Sikh men, are conspicuous among Indians by their ever-present turbans and their less noticeable but similarly ever-present daggers. Mistaken for, and sometimes attached as Aghani Muslims after 9/11, they can also be misunderstood in their native India, mocked as dim-wits in the Sardarji jokes and, followingt the assassination of Indira Gandhi by her Sikh bodyguard, targeted by state-sponsored propaganda and violence. Sikhism itself is, to non-adherents, obscure relative to Hinduism or Buddhism.
In order to think about what it means to be a Hong Kong poet, one must first think about Hong Kong itself. It was famously labelled a borrowed place on borrowed time: it may since been returned, but if anything, Hong Kong can at times seem less permanent than ever, and Hong Kong poets have lived through transitions, particularly in the last two decades.
It wasn’t unusual in the 1980s and 90s for parents in China to leave their kids behind with grandparents in search of economic opportunities overseas. Anna Qu was one, and only reunited with her mother in New York at age seven after a five-year separation. A not unusual story then, up to a point: Qu finds that she was never going to be included in her mother’s successes. Her book Made in China: A Memoir of Love and Labor is much more about labor than love.
Everyone looks to Singapore as a role model for what they want their country to be. Several countries from China to Rwanda hope to emulate its high administrative competence, standard of living, and “social harmony”. Post-Brexit Britain wants to copy the city-state’s assertive and independent position in the world economy and its aggressive support for international business. Housing policy advocates look to Singapore and its 90% home ownership rate.
We, the Robots?: Regulating Artificial Intelligence and the Limits of the Law, Simon Chesterman (Cambridge University Press, September 2021)
Should we regulate artificial intelligence? Can we? From self-driving cars and high-speed trading to algorithmic decision-making, the way we live, work, and play is increasingly dependent on AI systems that operate with diminishing human intervention. These fast, autonomous, and opaque machines offer great benefits—and pose significant risks.
Diversity, even—or perhaps especially—Asian diversity, in crime novels and dramatizations is of course nothing new: Inspector Ganesh Ghote first appeared in 1964; Priyanka Chopra debuted in Quantico in 2015. But, mirroring the real world, there is now diversity within the diversity. Bloody Foreigners, Neil Humphreys’s latest “Inspector Low” novel, this time has the bipolar Singapore detective being called upon by London’s Detective Inspector Ramila Mistry to help with the murder of moonlighting Singapore student Mohamed Kamal in Chinatown.
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