“Persian Manuscripts and Paintings from the Berenson Collection”, edited by Ayşin Yoltar-Yıldırım
For avid collectors during the gilded age Gentile Bellini’s portrait of a seated Turkish scribe came as a revelation, opening a window onto heretofore unfamiliar elegance, hinting at a connection between their beloved Italian Renaissance and the magnificence of contemporary Ottoman court. This same generation read and swooned over Edward Fitzgerald’s translation of Omar Khayyam….














