A sprawling, multigenerational epic, Hwang Sok-yong’s Mater 2-10 tells the story of a working-class Korean family and details their struggles against the tides of the 20th century, from the Japanese colonial era through the division of the Peninsula to South Korea’s economic boom. Their agitation for workers’ rights spans the generations, as does the unique…
Jung-Myung Lee’s Painter of the Wind is set in Hanyang, as Seoul, the capital of the Joseon Dynasty in the late 18th century, was then known. The protagonists are fictionalized versions of Kim Hong-do and Shin Yun-bok, both real-life figures who are considered some of, if not the, finest painters of the Joseon Dynasty.
Greek Lessons by celebrated Korean author and Man Booker International Prize winner Han Kang is a brief, poetic, and intimate look into the lives of two people, each affected by a disability, both cleaved from society in their own way, yet progressively drawn together by their shared grief and nascent hope. The narration switches between…
Hospital by acclaimed Chinese science-fiction writer Han Song is a kafkaesque trip through a fictional hospital turned nation-state that explores the Buddhist philosophy on suffering, the nature of the doctor-patient relationship, and the mental state of patients who suffer from chronic conditions.
Cheon Myeong-Kwan’s Whale is a sweeping epic mostly set in Pyeongdae, a remote mountain town that immediately evokes Macondo from Gabriel García Márquez’s similarly sprawling epic One Hundred Years of Solitude. Depicted with the same sort of dreamlike magical realism, Pyeongdae goes from a forgotten mountain hamlet to a booming railway city to a ghost…
A moving work of exceptional scholarship, Gwangju Uprising: The Rebellion for Democracy in South Korea was commissioned in an era of rising fake news to combat false narratives that had become popular on the internet, not the least of which was the idea that the events of the Gwangju Uprising were sparked by North Korean…
Set in a disturbing dystopia, Saha, Korean author Cho Nam-joo’s latest work following the wildly successful Kim Jiyoung, Born 1982, tells the story of the bottom rung of a dark society.
On the morning of his 43rd birthday, celebrated artist Lee Hanjo wakes up hungover and alone. His loving devoted wife is gone, only leaving behind the draft of a novel. To Hanjo’s horror, the book tells the story of an artist in his early 40s and his affair with a possibly underage girl. This manuscript…
A novel that defies convention, Kim Un-su’s The Cabinet begins with a series of scenes, all vastly different in setting, but all featuring a protagonist who is uniquely separated from the rest of humanity by some happening that left them singled out, sole survivors of fate’s cruel hand.
Gu Byeong-mo’s The Old Woman with the Knife is ostensibly a violent slasher novel about an aging assassin, known in the novel as a “Disease Controller” trying to end her storied career on her own terms. But wrapped in this visceral package, the book dives into the reality of an aging woman in a society…