War is messy. Guerrilla war is even messier. Most conventional histories of the Second World War’s Pacific theater detail Japan’s invasion and conquest of the Philippines in December 1941 and early 1942, and then jumping to US General Douglas MacArthur’s return in October 1944 and America’s retaking of the islands. James Kelly Morningstar’s new book War and Resistance in the Philippines, 1942-1944 fills an important historical gap by detailing the guerrilla war waged by Filipino insurgents and US soldiers who refused to surrender or avoided captivity during the Japanese occupation.
Lyn Innes, Emeritus Professor of Postcolonial Literatures at the University of Kent, is the great-granddaughter of the last Nawab of Bengal, Mansour Ali Khan. In this family memoir, she vividly brings the period to life through the stories of her antecedents, using both family history and source materials from the time, while giving a fascinating insight into the British Raj in India from the perspective of a local prince who was mistreated, and ultimately deposed, by the British authorities.
This book provides a local journalist’s perspective on a four-decade long regional contribution to global news production. Fixers are local journalists hired to help global media outlets in developing news stories on wars. The book shows how the fixers’ risky news pursuits made possible for global media to access distant regions and dangerous caves on Pakistan and Afghanistan borders, causing unprecedented deaths of the local reporters in the context of the US-led war on terror.
Environmental Movements and Politics of the Asian Anthropocene is a collection of eleven academic essays, by multiple scholars, edited by Paul Jobin, Ming-sho Ho, and Hsin-Huang Michael Hsiao, that focus on the dynamic interplay between political systems and environmental movements in seven of the ten ASEAN regional economies, plus Taiwan and Hong Kong, over the past two decades.
At the start of Ira Sukrungruang’s new book, This Jade World, he’s about to meet a new woman in a hotel room while his wife is packing her things to walk out on their marriage. This is going to be an open and honest memoir, a journey that will conclude with lessons learned and a new lease on life. Along the way, Sukruangruang writes about Asian masculinity, women’s relationships, and how his Chicago upbringing was shaped by his divorced Thai immigrant parents.
An English mission to Japan arrives in 1613 with all the standard English commodities, including wool and cloth: which the English hope to trade for Japanese silver. But there’s a gift for the Shogun among them: a silver telescope.
The brilliant set of the Opera Hong Kong’s new production of Madama Butterfly, which opened on 6 October, is a panel set a few meters back from the front of the stage that emulates the front of a Japanese house. The room itself is set into this panel almost 2 meters above the stage floor. The ingenuity of the design however is that it also serves as a screen onto which full stage-wide and stage-high projections are cast: designs from Japanese prints, seascapes, crashing waves, gardens, calligraphy. The effects range from artistic to evocative or illusory.
For Anjali, playing the tabla is something that comes naturally. She loves the feel of the drum beneath her fingers and getting lost in the music. But when the boys in her class give her a hard time for being better than them, she messes up on purpose.
If you happen to have a few hours to spare and a swash to buckle, here are two rousing epic adventures from Persia and the Middle East to fill in the time. If we think of Persian epics, the two titles which probably come to mind are Ferdowsi’s Shahnameh and Vis and Ramin by Fakhruddin As’ad Gurgani, both available in excellent Penguin translations by Dick Davis. There’s also Matthew Arnold’s Sohrab and Rustum, which is based on an episode in Ferdowsi’s poem. As for Arabic ones, the massive (and anonymous) Thousand and One Nights is the best-known.
Hong Kong’s Louise Kwong excelled in a selection of well-known Italian verismo arias by Puccini and Catalani to open the 2021 Italia Mia Festival.
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