Chinese Parents Don’t Say I Love You, Candice Chung’s “memoir of saying the unsayable with food”, feels like a glimpse into her peri-pandemic journal. The title refers to the often-shared recognition by the children of immigrants, that expressions of love are indirect, and also filtered through food.
In 1968, Mao Zedong launched the Cultural Revolution, asserting his control of China 15 years later, Deng Xiaoping launched the reform and opening up period, putting China on the path to becoming an economic powerhouse. But what happens in between these two critical periods of Chinese history? How does China go from Mao’s Cultural Revolution to Deng’s embrace of reforms?
Fyodor Tertitskiy, a young and prolific academic specialist on North Korean affairs working in Seoul, has written a biography of the first North Korean leader that is both highly readable and extensively researched.
Yu Hua, one of China’s most-acclaimed contemporary novelists, leapt to prominence, in English as well as Chinese, some three decades ago with his novels To Live and Chronicle of a Blood Merchant, both of which were made into well-received films. Both novels, about ordinary people struggling with extraordinary hardships, were notable for their matter-of-fact, slice-of-life rendering of their characters’ tribulations. Although his next novel, Brothers, a decade or so later, made more explicit use of farce and satire, in City of Fiction, Yu Hua seems to have returned to his roots.
If you only read one book by the prolific and (now) venerable John Man, it should perhaps be this one, literally so for it “revises and condenses” several chapters in his other books Genghis Khan, The Terracotta Army, Barbarians at the Wall, The Great Wall and Xanadu. It is, as one might expect from Man, a very readable amalgam of history, storytelling and travel-writing.
Despite the last decade’s increase in the amount of Japanese fiction being translated into English, several genres remain underrepresented. While English-speakers get access to a number of critically acclaimed literary titles, science fiction and romance, for example, are largely neglected despite their popularity in Japan. Historical samurai fiction, which maintains high Japanese readership, in particular, rarely makes it into English. This trend may be shifting, however, with the recent publication of Shuhei Fujisawa’s Semishigure and the upcoming release of a new, three-volume, translation of Eiji Yoshikawa’s Musashi, which was previously available only in abridged form.
From 1976 to 1989, Hai Fan was part of the guerrilla forces of the Malayan Communist Party. These short stories are inspired by his experiences during his thirteen years in the rainforest.
Chris Stowers, longtime photographer, credits a fellow journalist for the title of his latest memoir, Shoot, Ask … and Run. The journalist’s advice to a young Chris, just starting out, went like this. Shoot: Take the photo when the opportunity arises. Then, if someone notices that you took a photo, “ask” for permission to use the photo. Finally, if the subject seems annoyed, “run” … particularly if he or she has a gun.
A collection of 49 poems of varying forms, from scattered verses to prose poetry, Primordial is more than the sum of its parts. Mai Der Vang, equipped with the eloquence and talent for crafting vivid imagery that had made her previous collection a finalist for the Pulitzer Prize, brings together the overlaying experiences of the Hmong people, ravaged and displaced by war, and of the elusive, ethereal, endangered saola, a rare species of bovine with a pair of long sword-like horns that only came to be known and classified in scientific terms in 1992.
Peppa Pig gets around. Having survived accusations of giving American kids British accents, Peppa Pig has now visited Korea, on paper anyway (she’s been there on TV and video for many years). Peppa Goes to Seoul, a publication of Penguin Random House’s Korean operation, was released in the latter part of last year in a still-rare rare example of a multinational publisher localising a product for Asia.
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