2019 has been a standout year for Chinese soprano He Hui: the debut of three new roles; a successful run at the Met, including her debut Met Live in HD performance in Madama Butterfly and her 15th consecutive year (a first for a soprano) of singing at the Arena di Verona. And this weekend, He comes full circle as she returns to the Shanghai Grand Theatre, where she made her operatic debut in 1998, to perform Turandot, the Chinese princess of Puccini’s opera of the same name.

In a collection of essays penned by Arab women reporting from the Arab world, one can expect destruction and bullets, bodies and despair to litter the pages. And rightfully so. Our Women On The Ground: Essays By Arab Women Reporting From The Arab World does not shy away from the front lines and splashes copious amounts of reality onto readers who dare to venture into its chapters.

Earnshaw Books, an independent publisher specializing in China matters, has recently issued two books featuring westerners sojourning in China over a period of a century and a half. Frances Wood, a respected scholar of Chinese history, presents the account of Aeneas Anderson, who served as a valet to Lord Macartney when the latter led an embassy to the court of the Qianlong emperor (1792) and Graham Earnshaw introduces a book of photographs taken by Isabella Bird on her travels through China in 1898.