“I feel like there must be some way”, ends the title of one story in Tomoka Shibasaki’s A Hundred Years and a Day, “of visiting the places that exist only in people’s memories.” Each of the 34 fictional vignettes in this collection is a standalone slice-of-life that features a character, now advanced into middle-age, recollecting a formative experience of their youth. Through these recollections, Shibasaki creates a humanistic chronicle that touches on the tragic beauty of mortality.
Who is Shuzo Takiguchi? Neglected and out of print for decades in Japan, ignored by the anglophone world, awareness of his contributions to 20th century Japanese writing and fine arts is long overdue. Profoundly influenced by French surrealism, Takiguchi’s heady mix of mythological rumination and avant-garde modernist poetry has finally been made available to an international audience with the bilingual publication of A Kiss for the Absolute: Selected Poems of Shuzo Takiguchi, translated by poets Mary Jo Bang and Yuki Tanaka. Meticulously harvested from a cache comprising a ten-year period of intense literary composition from 1927-1937, this edition of thirty-five poems gives needed shape to Takiguchi’s wide-ranging legacy as an eclectic visionary—critic, translator, poet, artist, collector, curator.
A young boy cracks open the front door and peers outside. The dark shadows from the roof and the trees give a foreboding sense of something to come. Three umbrellas sit neatly in their holder, right by the door. The boy goes out to play.
A new addition to the catalogue of stories about the Vietnamese diaspora, Khuê Phạm’s Brothers and Ghosts (translated, somewhat unusually, from the original German to English by Charles Hawley and Daryl Lindsey) follows the three intertwining stories of Kiều, a Vietnamese German journalist, her father Minh who arrived in Germany in 1968, and of her uncle Sơn who migrated to America in 1975 the aftermath of the war between North and South Vietnam. Kiều’s father rarely speaks about his past and the family he hardly ever sees, while Kiều herself is often too occupied with her identity as a second-generation immigrant to begin asking questions. Her family’s history and the intergenerational trauma that comes with it becomes an unspoken topic that is only unraveled after the passing of Kiều’s grandmother, which brings the two brothers Minh and Sơn together again in California. Brought together in a single volume, the stories of Kiều, Minh, and Sơn provide a snapshot of the complexity of the Vietnamese diasporic experience, and how families can grow together as well as apart.
History has scarred South Asian cities in very concrete ways. The most well known of these have been carrying the burdens of colonisation and communalism, and, after independence, a rewriting of their histories that are governed by ideologies of nationalism. Lahore, in Pakistan, is one such city. In his book Disrupted City: Walking the Pathways of Memory and History in Lahore, historian Manan Ahmed Asif shows one evocative way to attempt urban history and narrative for South Asian cities.
Kishore Mahbubani, longtime Singaporean diplomat and academic, opens his new memoir with a provocative line: “Blame it on the damn British.” Kishore, who later served as Singapore’s ambassador to the UN and founding dean of the Lee Kuan Yew School of Public Policy, was born to poor migrants in Singapore, studied philosophy on a government scholarship—and from there, somehow got roped into the foreign service.
In 1946, Kornel Chang’s Korean grandparents fled south from Pyongyang across the border at the 38th parallel, leaving the zone under Soviet military occupation for the one occupied by the US military. Years later, his family left South Korea for the United States. This book is born of conversations heard by Chang growing up in New York City.
Richard Overy’s Rain of Ruin is an epilogue of sorts to his epic global history of the Second World War from 2021, Blood And Ruins. This new work focuses on the final months of the war in Asia, something that has been a topic of other recent books, such as Mark Gallichio’s Unconditional (2020) and the early parts of Judgment at Tokyo by Gary Bass. Overy’s approach is to consider the air war, starting with the conventional bombing campaign against Japan’s cities, then moving on the atom bombs at Hiroshima and Nagasaki, and finally looking at how this history contributed to Japan’s surrender.
The Northern Wei (386-534) are having a moment. Heritage projects, including large-scale digitization efforts, have brought renewed attention to Northern Wei sites of Buddhist statuary, including the Yungang and Longmen grottoes. The live-action Mulan movie thrust the iconic “Chinese” heroine, believed to originate in the multicultural milieux of the Northern Wei, back into the global spotlight. Ethnic tensions in China have heightened interest in the historical relations between Han and non-Han peoples, including the Taghbach, the Inner Asian people who founded the Northern Wei Dynasty.
Nicola Dinan presents a much-needed update on finding love in London as a 30-something in this follow-up to her brilliant 2023 debut novel, Bellies.
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