Osamu Dazai is one of the most famous—and infamous—writers of 20th-century Japan. A Shameful Life (Ningen shikkaku) is his final published work and has become a bestselling classic for its depiction of the tortured struggle of a young man to survive in a world that he cannot comprehend.
Giacomo Puccini’s final opera is the tale of a Chinese ice princess melted by an implacable love. Turandot, channeling the spirit of a violated ancestress, sets suitors three unanswerable riddles to be answered on pain of death.
Kids these days: heads buried in their cellphones; obsessed with consumer goods, boyfriends and pop music; stressed by grades and peer pressure. Their parents don’t pay attention and give them too much money. They kill cats. And maybe other things…
A violent murder in a rural New Zealand slaughterhouse is the catalyst for a series of fast moving events that ultimately have geopolitical consequences. The rapidly developing action in Novel straddles Aotearoa New Zealand, Hong Kong, Philippines and beyond.
A few years ago, Robert Dankoff and Sooyong Kim edited a much-needed and generous selection of Evliya Çelebi’s Seyhatname or Book of Travels. Evliya (1611-1682) spent the better part of forty years traveling around the Middle East, Africa and parts of Asia Minor; he’s perhaps the best-known of all Ottoman explorers and travelers, which is not to say a great deal, because non-European travel-writers are still sadly under-represented in English translation.
Formosa Moon is a romantic, geeky cultural journey around Taiwan undertaken by a couple comprised of a seasoned guidebook writer intimately familiar with Asia and a first-time visitor who agreed to relocate sight unseen. Join the couple on their journey of discovery through Formosa, “The Beautiful Island”.
While hardly a rarity, Gaetano Donizetti’s comic opera L’Elisir d’Amore (The Elixir of Love) doesn’t usually rank in popularity with the likes of Aida, La Bohème or Carmen. But after a performance such as that which acted as the curtain-raiser for the Macau International Music Festival, it can be hard to understand why not. Effortlessly enjoyable, the work also contains passages of aching beauty and contains more insights into human nature than its rom-com surface would let on.
In the early-1990s, a new area of Shenzhen sprung up almost overnight: er nai cun, or second wives’ village. At that time, businessmen from Hong Kong began to work over the border as the manufacturing industry moved from industrial areas of Kowloon to the Special Economic Zone of Shenzhen. Not only were low wage jobs disappearing in Hong Kong, but Deng Xiaoping promoted capitalism in his 1992 tour of southern China, including a stop in Shenzhen.
British Hong Kong had a good story in the run-up to 1997. Its people worked hard and had an indomitable spirit. China had its own story about Hong Kong: after reunification, the city would prosper as never before due to China’s wise and pragmatic “one country, two systems” policy.
That He Hui chose to open her concert, part of a 20th career anniversary tour of China, with Adriana Lecouvreur’s first act aria from Francesco Cilèa’s eponymous opera says everything one needs to know about this Chinese soprano’s attitude towards her art.
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