After living in a Singapore dog shelter for five years, Gucci—a vaguely Dalmatian-like crossbred—is losing hope of ever being rescued. One day to his surprise he is adopted by her, a writer, and moves to inner city Sydney. On arrival, however, an anti-dog war breaks out in their apartment block; Gucci’s adopter receives a letter threatening the possibility of “euthanasia”. The incident triggers nightmares in her and brings back distressing childhood memories.
In Suzuki Suzumi’s new novella, an unnamed woman plods through her routine life while the ghosts of her traumatic past resurface, to her increasing dismay. Translated from Japanese by Allison Markin Powell, Gifted was shortlisted for Japan’s respected Akutagawa Prize, making its English release highly anticipated. With a style both clinical and aloof, the novella unfolds a heartbreaking story about the distance and closeness between mother and daughter, of unrealized affection and unfulfilled dreams.
In our book Painter and Patron, about the Códice Casanatense, an album of annotated Luso-Indian watercolors produced in Goa ca 1540, my co-author Juan José Morales and I noted that the both the paintings and annotations indicated both considerable and rather granular knowledge of the people and places all over Asia, Persia, Arabia and East Africa, as well as familiarity with descriptions in Portuguese sources as yet not formally published at the time. How this happened, we could only guess; Jorge Flores’s Empire of Contingency: How Portugal Entered the Indo-Persian World, although it deals with a period from a few decades to a century and a half later, helps explain what was going on.
Fan Jinshi, a distinguished archaeologist, has devoted her life to safeguarding and researching the Mogao Caves, an esteemed UNESCO Heritage site nestled in Dunhuang, Gansu Province, China, and considered one of the world’s greatest archaeological discoveries. Her significant contributions to the field of Dunhuang studies and her advocacy for the protection and promotion of the caves’ cultural legacy have earned global accolades.
Now available in an English translation by Jesse Kirkwood, Sanaka Hiiragi’s The Lantern of Lost Memories, a story set in a photography studio that belongs in a space between the world of the living and the afterworld, is the most recent example of Japanese “comfort fiction”.
Witches make the world go round, and Gerda’s quest leads her to the most powerful one of all. When her village is hit with an unnatural snowspell, Gerda leaves in search of a missing boy. Every step of her journey culminates in a single choice: to save a boy, or save the world. But supernatural creatures want to make her their pawn. Will magic empower her, or will she lose to forces greater than herself?
Opera Hong Kong’s Turandot, the classic story of a Chinese ice princess melted by implacable love, debuted in a new atmospheric production by well-known Chinese Director Jia Ding at the Hong Kong Cultural Centre on 10 October 2024.
Maya, the protagonist of Rohit Manchanda’s novel The Enclave, should be happy with her life. She’s newly single, her net worth steadily rising in the booming India of the 2000s. She has a cushy, if slightly unfulfilling, job in academia. But she struggles: She wants to write, but can’t summon the energy to do so. She juggles several relationships, each one slowly imploding as the novel continues. And she butts heads with an oblivious and pompous bureaucrat, nicknamed “The Pontiff”.
India’s western frontier with Pakistan may generate more headlines but India’s eastern border flanking both Myanmar and Bangladesh is arguably more complex. Both neighbors have long been unstable and have both at points in their history found their territory being used by rebels waging war against New Delhi. It is not just neighboring countries that pose a challenge: internal borders too are at play. The Indian government for decades has had a complex, often tumultuous relationship with its northeastern states. The inherent complexity of the region means a wider, more expansive approach to political analysis is needed. This is precisely what Avinash Paliwal’s new book seeks to do.
Anita Agnihotri’s newest novel, translated from Bengali by Arunava Sinha, traces the trajectory of salt from its use as a symbol of resistance against the British Empire in the 1930s to the exploitation of salt farmers in modern-day India. Spanning generations and juggling various points of view, A Touch of Salt is an ambitious novel that questions the fruits of Indian independence. Equally historical and politically relevant, the novel shines a much-deserved light on the Agarias, an often neglected community in western India.
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