Scènes de la vie de bohème is an intimate dramatic adaptation of Giacomo Puccini’s classic opera. Reduced to the four principal roles in a new musical arrangement by Marco Iannelli, this new version is designed to focus on the emotional ties between the two couples. It debuted in April 2024 in a run of special performances on Hong Kong’s iconic Star Ferry in a new production for Dante Alighieri Society and The Peninsula Hong Kong to commemorate the Puccini centenary.
“At least 45,000 years ago, an artist using red ochre painted a mural of warty pigs at the back of a cave near modern-day Makassar on Sulawesi. The artist ‘signed’ the work with hand stencils. The mural is the oldest known representational art associated with modern Homo sapiens anywhere in the world.” This is just one of a multitude of details in Eric C Thompson’s The Story of Southeast Asia that one feels one should have known, but probably didn’t. A rather later one is that the word “Malay” did not originally specify an ethnicity.
In 2022, the US Mint released the first batch of its American Women Quarters series, celebrating the achievements of US women throughout its history. The first set of five included Maya Angelou, Sally Ride… and Anna May Wong, the first Asian-American to ever appear on US currency.
Death is an uncomfortable subject yet in all cultures and societies there are jobs like undertakers and pathologists that deal with it on a daily basis. In the Chinese countryside, funeral cryers are a big part of the way people mourn death. Wenyan Lu’s debut novel, The Funeral Cryer, centers around a middle-aged woman in northeast China who goes into this profession to put food on the table when no one else in her family seems to be able to lift a hand. Lu’s book is a heartwarming story about death, but also life, love and finding hope.
The Solitude of a Shadow is about revenge, and the road to it. Its publication marks Devibharathi’s first novel after decades of novellas, essays, and plays—one of which won last year’s Sahitya Akademi Award. It has now been translated from Tamil by N Kalyan Raman for a wider audience. The story is straightforward: a young boy watched his family suffer at the hands of one man, Karunakaran. As a child, he vowed to make Karunakaran pay, and as an adult, he finds himself in a position to fulfill his promise. But things are never that simple, and the unnamed narrator avoids revenge at all costs. But baser things like plot fall into the background in favor of exploring the transformation of one man, and the result is a puzzle of a novel that the reader must piece together.
New research on an army that details the military system of Qing China, which fought a variety of enemies ranging from Ming Chinese, Mongols, and Tibetans to Russians and Western Colonial armies.
In 1844, a young Japanese artist named Sakurada Kyūnosuke (1823-1914) happened upon a daguerreotype, an early form of photography that had been invented in France five years earlier. Sakurada, who generally went by the name of Renjō, was at the time an apprentice in the studio of a painter of the Kanō school, a loosely organized group whose members had served for more than two centuries as the official artists of the Tokugawa regime. Renjō was astonished by the verisimilitude of the image he saw, but what shocked him was how it had been made: not with dyes and ink, but with a machine and chemical solutions. His stupefaction was such that he “broke all his brushes” and resolved henceforth to commit all his time and energy to learning photography.
Ludwig II was born in 1845. He became King of Bavaria in 1864, when he was only 18 years old. Within Bavaria, he is sometimes called the Swan King or even the Fairy Tale King. Outside of Germany, he is sometimes called Mad King Ludwig.
In April 1942, at least half a million people fled the city of Madras, now known as Chennai. The reason? The British, after weeks of growing unease about the possibility of a Japanese invasion, finally recommended that people leave the city. In the tense, uncertain atmosphere of 1942, many people took that advice to heart—and fled.
A picture, it is said, is worth a thousand words. A Danger Shared is a collection of photographs taken by Melville Jacoby, an American exchange student and later war correspondent in China, Southeast Asia, and the Philippines (for Henry Luce’s Time and Life magazines) in the mid-to-late 1930s and early 1940s. Author Bill Lascher’s text accompanying the photographs tells Jacoby’s story against the background of the gathering storm, and later when the storm breaks over the Asia-Pacific.
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