Set in the metropolis of Kolkata, A House of Rain and Snow describes the struggle of a section of middle-class Bengali society to cope with the effects of globalization during the early 1990s. It tells of their passion for art and culture, which too was affected by changing times. The author, Srijato, an eminent Bengali poet and lyricist, is known for his Anando Purskar-winning poetry collection Udanto Swab Joker: All Those Flying Jokers, just one of his many well-known books of poetry.
In his Akutagawa Prize-winning Cannibals, Shinya Tanaka doesn’t shy away from dark topics, dealing with crippling poverty, violence and sexual abuse in an often matter-of-fact way. Perhaps the author’s candor is part of the reason that Cannibals (a literal translation of the original Tomogui, though the original has a secondary meaning of ‘mutual destruction’) received Japan’s most prestigious literary prize, although it often walks such a fine line between the frank and the gratuitous that readers themselves may settle on either side in their own assessment.
Janet Poole, a professor at the University of Toronto, in Patterns of the Heart and Other Stories has translated into English a collection of works by Choe Myong-ik, a writer whom she calls in her introductory essay an “exquisite architect of the short story form”. Following her essay, Poole presents nine stories, five from the colonial era (published from 1936 to 1941) and four in the postwar period (published from 1946 to 1952). Apart from “Walking in the Rain”, which she published in a bilingual edition in 2015, the stories in this book are available in English for the first time.
The Middle East remains one of the world’s most complicated, thorny—and, uncharitably, unstable—parts of the world, as countless headlines make clear. Internal strife, regional competition and external interventions have been the region’s history for the past several decades.
The historical and territorial space of Punjab has been politically and spatially unstable and changing, What Punjab means to different people also varies over time and context. Equally, what one holds dear about Punjab, the sense of “Punjabiyat/Punjabiness”, is both emotionally and culturally complex.
Examining the omnipresence of grief and revolution in South Korea for women and the queer community, as well as the whole nation after the sinking of the MV Sewol in April 2014, Hwang Jungeun’s dd’s Umbrella presents twin novellas from the perspective of two distinct narrators.
On a sunny day, a young girl skips in the courtyard of her home in Iron Gate Hutong. She’s alone, but across the alley life is busy.
Nō drama, which integrates speech, song, dance, music, mask, and costume into a distinctive art form, is among Japan’s most revered cultural traditions. It gained popularity in the fourteenth century, when the actor and playwright Zeami (1363–1443) drew the favor of the shogun with his theatrical innovations. Nō’s intricacies and highly stylized conventions continue to attract Japanese and Western appreciation, and a repertoire of some 250 plays is performed today.
Our journey toward having a true understanding of world history passes through Central Asia, the lands in-between the great civilizations of India, China and Iran. William H McNeil’s classic Rise of the West (1963) vividly illustrated the role of Central Asia as a gearbox whose spinning connected these civilizations and propelled history forward. One had to imagine these gears as some kind of Buddhist chakras. But history cannot be based only through metaphors. Someone has to do the spade work to ground the chakras in hard facts: the shards, fragments, bones and rags that archaeologists uncover.
The Glass Islands: A Year in Lombok chronicles Australian Mark Heyward’s triumphs and struggles in building a house on the Indonesian island directly east of Bali. The idea behind the title is that the islands of Indonesia are opaque and don’t reveal their troubled histories apart from in the odd transparent, or glass-like, moment.
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