Chris Stowers considers the 1980s to have been the golden age of travel and Bugis Nights describes two trips of his during that decade. One involves traveling in Tibet with his love interest, a German woman named Claudia. Stowers is a green 21-old to Claudia’s seasoned 30. The other, more important thread details a journey from Jampea Island in East Indonesia to Singapore on a sailing boat crewed by Bugis and French adventurers.
The legacy of the businessmen who built Hong Kong are all over the city. Bankers work in Chater House—named after Paul Chater, the Armenian businessman behind much of the city’s land reclamation (among many other things). The Kowloon Shangri-La Hotel sits along Mody Road, named after Hormusjee Naorojee Mody, a Parsi immigrant who helped found the University of Hong Kong. And that’s not including figures like Robert Hotung, the half-British, half-Chinese magnate who found more power in his Chinese identity.
Austrian author Milena Michiko Flašar’s latest novel, Mr Katō Plays Family, makes use of the range of feelings experienced during retirement to explore imagination, relationships, and family. This heartwarming and quiet story, translated from German by Caroline Froh, unfolds in an almost dream-like, stream-of-consciousness style as Mr. Katō connects with others and renews his sense of purpose in life.
It is next to impossible to review a Thames & Hudson book with remarking on the general excellence of the photographic illustrations. Islamic Architecture: A World History is no exception with several hundred photographs from, as the subtitle promises, around the world.
Amid the scorching heat of August 1947, the Edo Tattoo Society hosts a spectacle that captivates the city: a competition to crown the person with the most exquisite body art. Held at a garden restaurant, their first post-War meeting draws a large crowd. Among the attendees is Kenzo Matsushita, recently returned from the war where he served as a military medic. He has only a passing curiosity about tattoos yet becomes completely swept up in the excitement of the evening.
Jyotirmoyee Devi Sen (1894-1988), a pioneering Bengali feminist writer in the first part of the 20th century, is well-known for her novel Epar Ganga, Opar Ganga (The River Churning: A Partition Novel) and her short story collection Sona Rupa Noy (Not Gold and Silver) for which she received the prestigious Rabindra Puraskar, the highest honorary literary award in West Bengal, in 1973. Born in Jaipur, the present-day capital of Rajasthan in India, she spent her childhood in the princely state where her grandfather worked as dewan or prime minister to the maharaja of Jaipur.
Bearing Word opens with a donkey observing life at West Kun Temple through a crack in the stable door. She has been imprisoned here since she was bought two years ago by religious leader Kunmen Virtue.
In his 1994 speech accepting the second Nobel Prize for Literature ever awarded to a Japanese author, Kenzaburo Oe claimed that, in the history of modern Japanese literature, “the writers most sincere and aware of their mission were those ‘post-war writers’” who “tried with great pains to make up for the inhuman atrocities committed by Japanese military forces in Asian countries.” He went on to describe more contemporary writers as “a youth politically uninvolved or disaffected, content to exist within a late adolescent or post adolescent subculture.”
When meeting an expatriate friend on my first trip to Dubai, the host at the restaurant where we were meeting quickly ushered me up to the second floor. For foreigners, he said—before handing me a wine list. Dubai’s tolerance of alcohol is a more formalized version of Muslim tolerance—and clandestine drinking—of alcohol that dates back to its very inception, despite religious commands to the contrary. Professor Rudi Matthee tells that story in Angels Tapping at the Wine-shop’s Door: A History of Alcohol in the Islamic World.
It is easy to forget, in the linear narrative of the British Raj leading to an independent India, that there were other, albeit much smaller, bits that hung on as colonies of other European countries (let’s not call them “powers”) for some time longer. One of these, the most venerable, dating back almost five centuries to 1510, was Goa. The succinctly titled Goa, 1961 tells the story of India’s forceful expulsion of the Portuguese, focusing in considerable detail on the year it happened.

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