In 1903, Eric Blair was born in a bungalow in Motihari, India to a British father who worked in the colonial opium office in town and to a French-British mother. Years later Eric Blair would be known around the world as George Orwell. It’s his Indian roots, his birthplace in Motihari, that inspires Abdullah Khan’s second novel, A Man From Motihari, which is both a fun and creative look at literary India and a pensive examination of contemporary race relations and nationalism.
The Korean War “ended” exactly fifty years ago at Panmunjom. On July 27, 1953, United States and United Nations commanders on one side, and the North Koreans and Chinese commanders on the other, agreed to an immediate cessation of hostilities. Most histories of the Korean War stop there.
Yellowface is a story about theft. But go down a layer and it’s a tale about racial appropriation and authorial ownership. And lying somewhere beyond these surface themes is a palpable anxiety over how the internet shapes public opinion, and the simultaneous necessity and terror of being too online.
In Anarchy or Chaos, Ole Birk Laursen sets out to bring the life and intellectual contributions of MPT Acharya, a relatively unknown yet vitally important Indian revolutionary, to a wider audience. This biography delves into Acharya’s involvement in nationalism, anticolonialism, revolution, and anarchism, drawing extensively from memoirs, letters, newspapers, and intelligence reports. The result is a remarkable and comprehensive portrayal of a man, for whom much of his life was spent at the centre of major radical activity.
In the story that provides the title of Nishanth Injam’s debut collection, The Best Possible Experience, a go-getter tour guide creates a new identity for himself and his son to seek opportunities that would otherwise be impossible for low-caste Dalits. Although Mr Lourenco the tour guide has a positive outlook, sometimes his plans don’t turn out as wished. This conflict between hope and reality is prevalent through all of Injam’s stories in the collection.
It’s amazing that art historians like Robert Hillenbrand got to study the “Great Mongol Shahnama” at all. 500 pages of Firahdosi’s epic poem, with 300 illustrations, in a manuscript whose leaves are as wide as an ordinary person’s arms. Never completed, never bound, smuggled out of Iran by corrupt dignitaries, and separated and padded out by an unsavory Belgian art dealer.
The tales in Ao Omae’s People Who Talk to Stuffed Animals Are Nice are about sensitive people trying to navigate an unjust world. Take Nanamori, the protagonist of the collection’s title story. The characters in “People Who Talk” are members of the university Plushie Club. Members justify the club to university officials as an organization that collects and crafts stuffed animals. In reality, they use the stuffies for a kind of informal talk therapy.
The impact of missionaries around the world has been widely condemned by anthropologists, historians and medical professionals. They have been accused of suppressing indigenous languages, religious and social practice, disrupting countries’ social fabrics and prohibiting contraception. Moreover, missionaries were, on the whole, stalwart defenders of European colonialism. However, that does not mean they are unworthy of nuanced academic study, indeed given the immense socio-political and religious change they have fostered, academic engagement is crucial to understanding the outcomes of their activity.
South Asia is bound by a strong cultural currency. It is not uncommon to find restaurants run by Pakistanis and Bangladeshis in the diaspora marketed as serving “Indian” cuisine, freely expressing shared roots and ways of life. It is also not uncommon to find citizens of the three nations to welcome each other into their homes and endear them with great hospitality. Given this healthy cultural exchange, what is unusual is their common perception of each other’s political orientation as antithetical to theirs. In Shadows at Noon: The South Asian Century, historian Joya Chatterji investigates whether the region’s nation building practices are really all that different from each other’s.
Baritone Isaac Droscha and soprano Vicki Wu sang a selection of Sergei Rachmaninoff songs—including the well-known (and wordless) “Vocalise” and “Ne poi, krasavitsa, pri mne” with text from Pushkin—at a concert in celebration of the 150th anniversary of the composer’s birth.
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