The winner of Musica Viva’s 2018 inaugural Hong Kong International Operatic Singing Competition, Norwegian soprano Margrethe Fredheim, joined third place and audience prize winner, Chinese soprano Chen Yibao, in a return concert 17 June 2023 headlined by renowned Korean soprano Sumi Jo, who had been one of the competition’s judges.
Beyond the Siliguri Corrido, the so-called chicken neck of Indian territory that runs between Bangladhesh and Nepal, lies an India very different from that of common preconceptions. This is an area surrounded by Tibet, Bhutan, Myanmar and Bangladesh, hemmed in by the Himalaya. As Samrat Choudhury writes in the introduction to his new book, Northeast India: A Political History, “the Northeast is a protuberance that hangs on to the rest of the country by a slender thread, barely 21 kilometres wide at its narrowest point.” What follows is an attempt to shape a political history of a region that has seen mass political turmoil while ongoing debates rage around ideas of ethnic, political and cultural identity.
Ryunosuke Akutagawa’s Kappa is the story of a psychiatric patient who claims he once spent time in a land of water-loving creatures out of Japanese folklore. Most of Akutagawa’s contemporaries—as most Japanese readers today—would have been familiar with this famous folktale monster. A kappa is about three feet tall and, according to Patient No 23, weighs 20-30 pounds. It has webbed hands and feet, as well as a dish on top of its head that has to remain wet. The kappa also loves cucumbers and sumo wrestling.
On a trip many years ago to New Delhi, I was struck by an official memorial to Subhas Chandra Bose, the wartime leader of the Indian National Army, the Japan-affiliated force of Indians who fought against the British during the Second World War. India, of course, has a more complex view of the fight against Japan than other countries involved in the War—with these soldiers being contentious, debated and, at times, celebrated.
Lily, living in London, receives a mysterious letter naming her in an inheritance from a stranger in Hong Kong. To claim it, she must travel to Hong Kong. Her older sister, Maya, has received the same letter but chooses to ignore it. A successful lawyer, Maya feels no connection to her mother’s birthplace and doesn’t wish to feel beholden to anyone, especially a stranger. Maya resembles their late father, Julian, with blond hair and light eyes, while Lily resembles their late mother, Sook-Yin, with dark hair and dark eyes. Lily is convinced she embarrasses Maya because she is a constant reminder that they come from a complicated background. Just how complicated is something that Lily will soon discover when she flies to Hong Kong in late June 1997 without informing her sister.
Western scholars have tried, since the 18th century, to explain the differences between Sunni and Shia traditions of Islam; Muslim scholars have tried since the death of the Prophet Muhammad. Epistemological problems beset these efforts. How to describe beliefs, held by individuals across 5,000 miles and 1,400 years?
From the critically acclaimed author of BBC Radio 2 Book Club Pick The Cat and The City, comes a love-letter to Japanese culture, landscape, and literature, in a beautifully crafted representation of love, life, and loneliness.
Brinda Charry found inspiration, she writes in her author’s note, for her debut novel The East Indian, from a little known piece of US history. Dating from almost the first days of the English settlement in the early 1600s, servants and laborers from India arrived in colonial Virginia and Maryland via London, having been England in the first place as servants to officials of the East India Company. Charry explored this piece of history and set her story around the first-known Indian immigrant, a young Tamil man who went by the name of Tony. The result is a fascinating story in itself—Tony’s adventures, sometimes against his will and sometimes by choice—complemented by vivid writing.
Despite a slow drip of new writers, Filipino fiction remains relatively thin on the ground, at least from publishers with wide distribution, and at least when compared to writers from such other countries in the region as Japan and Korea. With his debut novel Forgiving Imelda Marcos, Nathan Go joins a club which, while small, contains some illustrious members.
Kit Fan’s latest poetry collection, The Ink Cloud Reader, hinges on anticipation of change. In “Cumulonimbus,” which opens the main section of the book, Fan compares the current state of his writing career to the moments before a thunderstorm breaks.
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