A funny and intimate travelogue of one woman’s unexpected adventures in Japan. French illustrator Julie Blanchin-Fujita arrived in Tokyo for what she thought would be a one-year stint, and ended up never leaving.
Graphic novel
Shigeru Mizuki’s Tono Monogatari has a complicated lineage. During Japan’s rapid modernization in the early 20th century, a man named Kunio Yanagita set out to preserve Japan’s cultural heritage of magic and the supernatural. Along the way, he met a young writer, Kizen Sasaki. Together they traveled Japan’s Tono region, today about five hours northeast of Tokyo by train, recording folktales and evaluating whether they might be true. In 1910, Yanagita published a chronicle of his travels and the stories he collected: Tono Monogatari (“Tales of Tono”). Many Japanese regard Tono Monogatari as a defining text of Japanese folklore, a Japanese equivalent of the tales of the Brothers Grimm.
Some years back, graphic novelist Keum Suk Gendry-Kim interviewed an elderly Korean woman named Lee Ok-sun. Gendry-Kim hoped to learn about social class and gender disparity during World War II and write a book about this subject. But after several interviews, Gendry-Kim realized Lee’s personal story warranted a book of its own. The result is Grass, a graphic novel now out in an English translation by Janet Hong.
Yayoi Kusama and her iconic dots are instantly recognizable the world over, making the 91-year old among the (if not simply the—an article in The Guardian asks “Yayoi Kusama: the world’s favourite artist?”) most famous artists in the world. It’s clear she inspires many: one need only look at the countless collaborations or at #yayoikusama on Instagram. Her life and her art have inspired many a book and Elisa Macellari adds to the growing body with Kusama: The Graphic Novel.
Graphic novels, which less generous souls might call comic books, rarely feature middle-aged women and certainly not as the main characters. Not until, that is, Yeong-shin Ma wrote Moms, a graphic novel based on his mother and her friends. First published in Korea in 2015, it’s now available in an English translation by Janet Hong, whose name will be familiar to those in the know.
In the 1940s, a third of Baghdad was Jewish. Today, fewer than a dozen remain.
Year of the Rabbit is a graphic memoir that follows the journey of Lina, Khim, their son Chan, and their extended family members, as the Khmer Rouge take over Phnom Penh. Graphic in format, graphic in content, it is a story of resilience and hope, a profound testimony to one of the greatest tragedies of the 20th century.
In the late 1970s and early 1980s, two Jewish cartoonists brought the term “graphic novel” to the mainstream. Will Eisner’s A Contract With God tells the story of poor Jewish immigrants in New York tenements while Art Spiegelman’s Maus depicts two storylines that center around the Holocaust. These books address heavy subjects and differ from the lighter fare in comic books, which are usually thinner, magazine-like publications. The term graphic novel has come to refer to non-fiction, not just fiction.
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