Those hoping that a book called Venice and the Mongols would be a deep-dive into everything Marco Polo will be disappointed, for that most celebrated of Venetians warrants only a single chapter. Authors Nicola Di Cosmo and Lorenzo Pubblici focus rather more on Venice’s forays—commercial and territorial—into the Black Sea, where they ran up against the Mongols in Crimea. After the Fourth Crusade and the Mongol’s westward conquests, “The Pontic area,” write the authors, “became a common space, a nexus between Asia and Europe” at what was respectively the western- and eastern-most expansion of each.
Italy
The story could be from Disney: in 1653, 14-year-old Venetian Nicolò Manucci, suffering from youthful wanderlust, stows away on a ship. Befriended (and hired) by an English nobleman (Henry Bard, Viscount of Bellomont) en route to Persia to solicit assistance from the Shah for exiled Charles II, he travels through the Ottoman Empire to Esfahan. After a year, once it becomes apparent that no such assistance would be forthcoming, the pair depart for Surat with the intention of continuing on to Delhi, during the last leg of which Lord Bellomont inconveniently expires. Manucci, now 18, but still a teenager, is left alone in the Mughal Empire.
To commemorate the 700th anniversary of the death of the great Italian poet Dante Alighieri, Chameleon Press will publish a new collection of poetry in which contemporary poets from Asia interpret themes Dante’s opus with a particular focus on Beatrice, the object of Dante’s youthful love, his muse and guide.
What if Michelangelo had not, as history concurs he had, declined the Sultan’s invitation to come to Constantinople in 1506 to design a bridge over the Golden Horn? This is the conceit behind Mathias Énard’s new novel, or rather novella, Tell Them of Battles, Kings, and Elephants (a perhaps anachronistic borrowing from the preface of a collection of Rudyard Kipling stories). What if Michelangelo had instead accepted?
Baroque vocal recitals are not that rare, even in Kong Kong, but to have two almost back-to-back—Magdalena Kožená followed by the perhaps not-as-widely-known but nevertheless entirely enthralling “La Galanía” ensemble only 48-hours later—is a one-in-a-blue-moon set of events. The latter played a (will wonders never cease?) free concert of 17th-century Spanish and Italian love songs at the University of Hong Kong’s Grand Hall.
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