The Korean Vernacular Story: Telling Tales of Contemporary Chosŏn in Sinographic Writing, Si Nae Park (Columbia University Press, August 2020)
The Korean Vernacular Story: Telling Tales of Contemporary Chosŏn in Sinographic Writing, Si Nae Park (Columbia University Press, August 2020)

As the political, economic, and cultural center of Chosŏn Korea, eighteenth-century Seoul epitomized a society in flux: It was a bustling, worldly metropolis into which things and people from all over the country flowed. In this book, Si Nae Park examines how the culture of Chosŏn Seoul gave rise to a new vernacular narrative form that was evocative of the spoken and written Korean language of the time.

Tourism has been an industry hit harder than almost any other by Covid-19. Restarting it is one of the major post-pandemic priorities, although mass tourism has itself often been an environmental and, especially in developing countries, social scourge. Although written well before the outbreak, Yun Ko-Eun’s entertaining eco-satire The Disaster Tourist is only just now appearing in Lizzie Beuhler’s English translation, at a unique time when travel has all but come to a standstill. 

The Korean War began 70 years ago. In the United States, it is known as the “forgotten war”. Not so in China. In his new book Attack at Chosin, Professor Xiaobing Li, a prolific historian who teaches at the University of Central Oklahoma, and who once served in China’s People’s Liberation Army (PLA), explores the Chinese Army’s second offensive against US, UN, and South Korean forces at the Chosin Reservoir during November-December 1950.

What brings a city to life in fiction? Written by expat writers in South Korea, the stories in A City of Han lead the reader past the opulent towers and neon-lit facades towards lonely apartment buildings and small alleyways hidden away from view. Each show an excellent command of the short story form and much like the city itself, these stories reveal that there is more than what first meets the eye: an argument for how predicaments and preoccupations of a city’s inhabitants do more than physical markers in defining the character of a place. 

Kim Ayami is a twenty-eight year old woman and law-school dropout who wants to be an actress, but appears to have been not very good at it, as she has only acted in one production and is now working at a theatre for the blind in Seoul after a number of stints as a waitress. It’s her last day there, though, because the theatre, the only one of its kind, is closing down and Ayami faces the uncertainty of unemployment, as she has no formal qualifications for another job.

Although today Samsung stands astride the global consumer electronics markets, as well as some others, it was not all that long ago that the idea that a Korean company could deploy a brand with global reach and dominance would have seemed unlikely, except perhaps among regional experts (or partisans).

When Cho Nam-Joo’s Kim Jiyoung, Born 1982 was published in South Korea several years ago, it took the country by storm, selling more than a million copies and becoming the most popular book in over a decade. Applauded by many women, those who do not support feminism have spoken out against it. Last year, the film version again caused controversy between those who want South Korean sexism to change and those who think the status quo is just fine. Now available in an English translation by Jamie Chang, English-language readers get a chance to understand this divide firsthand.

At the beginning of Frances Cha’s debut novel, If I Had Your Face, a fierce social commentary about gender roles, class divisions and, yes, plastic surgery in South Korea, Kyuri is seated at her plastic surgeon’s office and spots the K-Pop star whose look she copied for her many surgeries. The K-Pop star looks as if she’d been crying and pulls a cap down over her face when Kyuri peers over at her. When the star is called back into an exam room, the two women lock eyes.