Ideology grappled geography in a civil war with no end. As the Korean War froze along the trenches and barbed wire entanglements, harbingers of the final line of control that was to divide North from South for a lifetime, the United States fought and sought a political triumph as a surrogate for military failure on the battlefield. Armistice talks in May 1951 started, hiccuped, stopped and then were reborn and recycled as Washington stubbornly—to the chagrin and incredulity of its own negotiators—refused to abide by the 1949 Geneva Convention requiring the simple repatriation of prisoners of war (POWs) at the end of military conflict.
Korea

Rated R Boy: Growing Up Korean in 1980s Queens is a memoir of one family’s move from South Korea to the United States. Told by its child narrator, it describes life in mid-1970s Korea and compares it to life in America, where he is exposed to things that challenge what he’d held to be sacrosanct.
Despite the rise in diversity in Young Adult literature, not least stories by Asian writers, there’s still a dearth of stories starring strong Asian males, perhaps due to the fact that most YA authors are women.
There are many novels by Western authors sojourning in Asia. Stories that go the other way around are as rare as hens’ teeth.
In the dead of winter, a Frenchman arrives at a small guest house in Sokcho where Franco-Korean author Elisa Shua Dusapin’s narrator works in a dead-end job as receptionist and run-about. Sokcho is a nondescript seaside town not far from the North Korean border. In the summer, Sokcho is a beach resort, if not the most upmarket; in winter, there is not much going on.
Eun Ji Koh was a typical Californian teenager before her immigrant parents surprised Koh and her brother with some startling news. Her father had been offered a far more lucrative job back in Seoul than he could ever expect to be offered in the US. It isn’t uncommon for immigrants to return to their countries of birth for better employment opportunities, but in this case Koh and her brother would be staying behind.
Former Monty Python’s star Michael Palin aims with North Korean Journal to do for Pyongyang what The Life of Brian did for the New Testament. He almost succeeds.
The great Swiss travel writer Nicolas Bouvier began his career in 1963 with L’Usage du Monde, an account of a journey from Geneva to the Khyber Pass. Published in English as The Way of the World, the book earned him cult status amongst travel-writing aficionados, its distinctive sensibility and supremely elegant prose elevating it well above the myriad other 20th-century travel books featuring well-heeled young Europeans traversing sections of the old Silk Road.

In Reencounters, Crystal Mun-hye Baik examines what it means to live with and remember an ongoing war when its manifestations—hypervisible and deeply sensed—become everyday formations delinked from militarization. Contemplating beyond notions of inherited trauma and postmemory, Baik offers the concept of reencounters to better track the Korean War’s illegible entanglements through an interdisciplinary archive of diasporic memory works that includes oral history projects, performances, and video installations rarely examined by Asian American studies scholars.
Author and memoirist Fatima Bhutto’s slender but potent volume for Columbia Global Reports (an imprint from Columbia University devoted to long-form journalism), surveys a shift in global popular culture in which America’s soft-power dominance is facing challenges from local art forms.

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