Diversity, even—or perhaps especially—Asian diversity, in crime novels and dramatizations is of course nothing new: Inspector Ganesh Ghote first appeared in 1964; Priyanka Chopra debuted in Quantico in 2015. But, mirroring the real world, there is now diversity within the diversity. Bloody Foreigners, Neil Humphreys’s latest “Inspector Low” novel, this time has the bipolar Singapore detective being called upon by London’s Detective Inspector Ramila Mistry to help with the murder of moonlighting Singapore student Mohamed Kamal in Chinatown.
Singapore
Entering the 21st century, however, slowing economic growth, an ageing population, global competition, and widening income dispersion have put the Singapore System under strain. This has prompted a significant refresh of social and economic policies over the past 15-20 years.
Viewed from a perch in Hong Kong, one of the most striking things about Lion City, Jeevan Vasagar’s new book on Singapore, Hong Kong’s best frenemy, is that it includes nary a mention of Asia’s World City.
After the phenomenal success of the Crazy Rich Asian movie, in which Singaporean food culture featured prominently, interest in Singaporean food has grown. In Makan, UK-based chef Elizabeth Haigh shares the origins and details of her family’s Singaporean recipes.
Joseph Conrad’s favored destination was Asia, the bustling transit port of Singapore, the remote islands and ports of the Dutch East Indies. It was from Singapore that he made four voyages as first mate on the steamship Vidar to a small trading post which was forty miles up a river on the east coast of Borneo. A river and a settlement which he described as “One of the last, forgotten, unknown places on earth”. His Borneo books—Almayer’s Folly, An Outcast of the Islands, The Rescue and the latter part of Lord Jim—were all based on the places he visited, the stories he heard, and the people he met during these voyages.
Toward the beginning of his most recent (and thirteenth) collection, Singaporean poet Cyril Wong writes: “I’m a poet of intangible things, so the audience doesn’t quite exist.” This latter assertion is belied by numerous awards, steady book sales and high output over the last twenty years.
George F Kennan believed that in examining the history of the 20th century, all the lines of inquiry led back to the First World War. Westerners tend to view the First World War through the narrow but compelling lens of the Western Front, but the war was truly global, in part because Britain, France, and other European powers had colonies and allies throughout much of the world. India then was the jewel in the British imperial crown, but as Umej Bhatia shows in his meticulous new book Our Name is Mutiny, the jewel was coming loose due to Indian nationalism and global jihadism, and for a brief moment the Indian revolutionary ferment exploded in Singapore.
It may seem like a familiar fairy tale. A step-mother, two step-siblings, and a girl who isn’t glamorous. But instead of Prince Charming or a fairy godmother, the object of the girl’s interest is a ghost. Western ghosts (pace Casper, who had to be explicitly labelled “friendly”) are usually malevolent in some way; two new books—one from Danish writer HS Norup, who spent four years in Singapore, and the other from Malaysian writer Hanna Alkaf—feature Asian ghosts who are decidedly more sympathetic.
As China grows into a major regional and global power, there are many questions about what this means for the international system. Does China threaten the United States? Does Washington want to aggressively contain China? Are we really facing a “New Cold War”? And what does this mean for everyone else?
A novel based on anthropologist and author Nigel Barley’s writing career might well be called The Man Who Collected Colorful European Characters from the History of Southeast Asia.
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